Saturday, 26 May 2012
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  • ...and people-watching adds to Soho dining treat

    30 June 2011

    For me, eating out is not just about good food and service, but also the fun of people-watching (Voxpop, DW 2 June). Randall & Aubin in London’s Brewer Street serves up on all counts good food and wine, and there is always an eclectic mix of people dining. If that doesn’t whet the palate enough, the entertainment of people-watching on the street outside never ceases to let you down.Alan Long, Creative director, Sane and Able, by e-mail

  • A Notting Hill restaurant is my home from home...

    30 June 2011

    Further to the news that the new Design Bites initiative from the RIBA and the Restaurant and Bar Design Awards provides design-led guided tours of restaurants (Voxpop, DW 2 June), plus Grant Windridge’s choice of his favourite restaurants and his reasons why (Letters, DW 16 June), my own favourite resturant will come as no surprise to anyone who knows me.

  • Brunel was looking to the future, so must we

    30 June 2011

  • ...Top-notch food and some fine architecture too

    23 June 2011

    I think pubs are entering a renaissance, at last. The days of ’take us as you find us’ are going as people are preferring ’dining with drinking environments’ and looking for better choice, service and food.Add to this our architectural heritage. We have some amazing pubs up and down the country that, if restored, will give pubs the rebirth we’ve been waiting for. Cheers to that.Franco Bonadio, Chief executive,Identica, by e-mail

  • Design Bridge played key role in the Ultimate story

    23 June 2011

  • Let's aim higher than spam-based culture

    23 June 2011

    AKQA co-founder James Hilton’s doodles from DW’s recent round table on digital design, highlighting the importance of listening and seeing

  • The perfect pub has a good cast of regulars, no screen...

    23 June 2011

  • Favourite online shop is a world of inspiration

    16 June 2011

    Aside from the ones we have created for clients (of course), I would say that my favourite online shop is www.j-shoppe.com, which was born of the ’who’s who, what’s what type of living’ blog www.jjjjound.com.

  • Growing brand shows that there's an art to good retail

    16 June 2011

    How refreshing to see the growth of a brand such as Cass Arts prove to the retail gloom merchants that everything is not ’going digital’ (www.designweek.co.uk, 25 May).

  • Take the smart route on training staff

    16 June 2011

    Your recent feature by Emily Pacey on Training Zone (DW 2 June) was an interesting and topical read.

  • ...as Bostock and Pollitt sets the record straight...

    9 June 2011

    The anticipation had been building and the day duly arrived when Design Week’s Top 100 Consultancy Survey 2011 arrived at our consultancy. A quick flick-through, followed by a thorough review, revealed we were nowhere to be seen in the rankings.

  • ...but 'return to optimism' isn't shared by everyone

    9 June 2011

    Hats off to The Team for having the guts to show in the Design Week Top 100 (DW 26 May) how hard the public-sector advertising and marketing freeze has hit it (31 per cent drop in fees).

  • Information overload and the joy of going cold turkey

    9 June 2011

    I went to see James Gleick speak at the British Library a few weeks ago about how we are constantly subjected to almost infinite amounts of information. I talked to him about this afterwards, and we agreed that self-filtering is an inevitability. Not spam-filtering; self-filtering.

  • One hundred reasons why print won't die...

    9 June 2011

    I am a graduate graphic designer who feels compelled to write in to say how incredibly impressed I am with the Top 100 Consultancy Survey 2011 supplement (DW 26 May). I have never written in before, but it just had to be done on this occasion.

  • Dreaming of storytelling and feats of gluttony

    2 June 2011

    Now, which world record would I like to hold? (Voxpop, DW 19 May)

  • Students are well prepared for the future

    2 June 2011

    Coventry University’s Graham Sutherland Building,

  • To fail utterly would be the best way to win my award

    2 June 2011

    In response to your Voxpop on a putative Duke of Edinburgh Award scheme for the industry (DW 26 May), one common quality of designers is their control freakery and desire for perfection within the confines of what they already know.

  • A big collection of fragile signs is my record dream

    26 May 2011

  • Calling all Saturday art class alumni of the past decades

    26 May 2011

  • We mustn't lose sight of our fine heritage

    26 May 2011

  • Funding is not biggest problem for courses

    19 May 2011

  • Heraldic Blackburn Rovers kit is a truly British icon

    19 May 2011

  • Event in Wales leaves other music festivals in its wake

    12 May 2011

  • Hetherington: touching work and great courage

    12 May 2011

    American soldier resting at bunker, Korengal Valley, Afghanistan ©Tim Hetherington UK for Vanity Fair

  • Hetherington's bravery was something else

    5 May 2011

  • The All England tennis club should re-string its rackets

    5 May 2011

  • Is hands-on design a thing of the past?

    28 April 2011

    I am a hand-skills-based maker with 30 years’ experience of working within the product design sector of the industry. Therefore, as a professional ’maker’ working within the design industry, I read with interest the article by Anna Norman entitled ’New model army’ about hand-making in the design process (Design Week, 14 April) .

  • Now that's what I call a musical design classic

    28 April 2011

  • ...Or a dragster out of multi-coloured, pixellated plastic

    21 April 2011

    As a kid I spent much of my time making things out of Lego, but not always buildings. It was usually cars, specifically dragsters. I would race them against my friends and we would end up with a pile of bricks we could rebuild. This was long before Lego came out with specialised parts, it was just bricks, so everything was multi-coloured and faceted, sort of pixellated plastic. So I would build a 1970s Funny Car based on a Plymouth Barracuda.

  • Smile at the friendlier face of packaging

    21 April 2011

  • The ultimate Lego house would be my very own...

    21 April 2011

    In response to your Voxpop last week, asking which building I would you like to create in Lego (DW 14 April),right now, it would have to be my house.

  • We have a lot to thank our clients for and the press

    21 April 2011

  • ...and the retro pomp of Manchester's Haçienda

    14 April 2011

    I’d say reimagine the Gaudí building in Barcelona that has all the masks on the front. I like playful things and reckon that’s a pretty playful building and would make a fun museum - lots of curves, bones, masks and tiles, and the roof is amazing.

  • It's time to stop teaching Web skills like it's still 1999

    14 April 2011

    In response to Lynda Relph-Knight’s editorial on the demise of craft skills and typography in college curricula (Comment, DW 7 April), I would add that the situation in Web design is even more acute. In many multimedia and Web-specific courses, there seems to be very little taught in the way of core graphic design skills and typography rarely gets a look-in. In fact, the underpinning technologies of HTML, CSS and Java Script, of which every Web designer should have a good grasp, seem ...

  • Let's recreate Wembley's iconic twin towers...

    14 April 2011

  • What is the relevance of the new CSD logo?

    14 April 2011

  • ...let The Beatles and Paul Smith fly the flag for the UK

    7 April 2011

    I think I would rebrand the UK. I mean, when was the last time we won the Eurovision Song Contest?The Union Jack will have to go, of course, as this is the thing that our foreign cousins rile against - and we really do not have a jolly anthem either. I would replace the flag with a nice Paul Smith stripy flag, change our name to Beatles Island and make our anthem Hey Jude. That should do it.Franco Bonadio, Chief executive, Identica, London W1

  • Businesses need educating about the value of design

    7 April 2011

    At Design Wales Forum we promote the value of design to businesses and encourage designers to value their work. How deeply disappointing that the launch of Startup Britain highlights the need to educate the wider business community further about design.

  • Don't lose sight of a logo's main objective

    7 April 2011

    Further to the recent correspondence and various blog contributions regarding the seemingly ever-contentious subject of logo design, are we not in danger of losing sight of the basic primary objective of what logo design is - that of simple, straightforward and clear identification?

  • Time to leave England's old baggage in the past...

    7 April 2011

    In response to the Design Week Voxpop asking which country I would like to rebrand and why (DW 24 March), I think it would have to be England. I am not talking about redesigning the flag, the Cross of St George, but what the flag stands for.

  • Death of Media Square's Bruce Winfield announced

    31 March 2011

    With deep regret, the board of Media Square announces the death of Bruce Winfield, the group’s chief operating officer/finance director. Bruce passed away on 21 March after a lengthy illness.

  • In-house knowledge can be tough to beat

    31 March 2011

    I totally agree with both Peter Spence and Mark Fanthorpe’s viewpoints (Letters, DW 10 March).

  • Stem reclassification could help turn the education tide

    31 March 2011

  • If only Ive would spread his aesthetic beyond hardware

    24 March 2011

  • Let's think carefully about the aim of design events

    24 March 2011

    I support wholeheartedly the principles of Design Indaba (DW 3 March).

  • Please don't give space to such dismal work

    24 March 2011

  • ...And support each other, starting at student level

    17 March 2011

    As a student in my final year, it’s the girls who are making names for themselves, not the boys. We’re slightly more organised and have realised the lack of recognition women get, so have banded together to support each other in our endeavours. The most inspirational placement I have done was Story UK, as most of the heads of department were female.Rachel Jane Patrick, by e-mail

  • ...So we can leave behind this male monoculture...

    17 March 2011

    I think it is interesting that Design Week’s Laura Snoad refers to ’more traditionally minded professions’ in her Women’s Day blog piece looking at the role of women in the design industry today.

  • The Budget must support start-ups and R&D

    17 March 2011

  • Women need to change too to close the gender gap

    17 March 2011

    Further to Laura Snoad’s blog about women in design and gender inequality (www.designweek.co.uk/blog, 8 March), I don’t think it is lack of self-promotion. I think it is a case of the industry being dominated by men, and men are more likely to promote their fellow men than they are women.

  • Hats off to Waitrose's design team - and its management

    10 March 2011

  • We need to engage with in-house designers

    10 March 2011

  • Design over substance gives us food for thought

    3 March 2011

  • Time to take stock and be more efficient

    3 March 2011

  • The convergence of two professions will benefit both

    24 February 2011

  • The UK Design Alliance can go it alone now

    24 February 2011

  • You can't beat logos when it comes to grabbing attention

    24 February 2011

    I couldn’t agree more with Lloyd Northover co-founder John Lloyd’s recent guest blog, which argues for the continued central role of logos (www.designweek.co.uk/blog, 9 February), if I tried.

  • Design Alliance's partners should govern it

    17 February 2011

  • Alliance gives cohesion to local networks

    17 February 2011

    As much as I agree with the general idea of your editorial (DW 3 February) about local design networks, I would have to say that the cohesion you feel is lacking is in fact there, in the form of the Design Alliance.

  • Radical times call for radical thinking...

    10 February 2011

  • ...but let's not forget about national engagement

    10 February 2011

    DW’s Comment (3 February) calls for a few dots to be joined up in the design world. Many of us would agree - regional bodies are in discussion with the Design Council, under the UK Design Alliance, to do just that. What’s missing is the engagement of the Design Business Association, British Design Innovation and the Chartered Society of Designers.Peter Spence, Forum director, South Coast Design Forum, by e-mail

  • ...to challenge imbalances and offer ideas

    10 February 2011

    Design Week’s focus, post the Temple Review, on the need to join up the dots and network the networks to co-ordinate design’s considerable assets and aggregate value across the entire UK is timely (Comment, DW 3 February).

  • Our design networks need co-ordinating...

    10 February 2011

  • Design and architecture should cross over

    3 February 2011

    In response to Lynda Relph-Knight’s Comment last week (DW 27 January), I too am delighted to see design and architecture coming closer together. The two are more or less divided at birth in the UK, whereas traditionally there is a healthier cross-overon the Continent, where the badge ’architect’ opens far more 3D design doors than purely relating to buildings as it does here.

  • Good branding needs to support change on a larger scale

    3 February 2011

  • Let the Beyond Entropy team loose on a new festival

    3 February 2011

  • D&AD could tackle moral and ethical issues and promote higher ed

    27 January 2011

    With regard to its ’campaigning’ aims, D&AD should think about the morality of games promoting killing, which fall into the hands of children.

  • Working together will get us through the tough times

    27 January 2011

    Matt Baxter has hit the nail on the head in his recent piece on the need for more collaboration within design (Insight, DW 20 January). Times are tough and the more businesses can work together the more their individual strengths can and will be ’stronger together’.

  • Breaking the roundel rule

    20 January 2011

    The roundel incorporating the siren, last updated in 1992, has been synonymous with the Starbucks brand since 1972.

  • Getting the craft back into young designer's creativity

    20 January 2011

    I totally agree with Steve Price’s views on the need for basic design skills and craft know-how despite developments in technology (www.designweek.co.uk, 11 January).

  • Reduction in college funding not all bad

    20 January 2011

    Glenn Taylor

  • The Starbucks siren sings

    20 January 2011

  • A logo can never tell the whole story

    13 January 2011

    I read with interest guest blogger Patrick Argent’s article regarding National Grid’s erstwhile logo designed by John McConnell from Pentagram. (www.designweek.co.uk, 8 November).

  • Jonathan Sands' generosity with his time merits an OBE

    13 January 2011

    When printing out the table plan every year for the Podge lunch [for design industry heads] it always gives me a thrill when I have to add the letters CBE, MBE or OBE to the names of the legends I have come to respect over many years.

  • ...And objectivity is no barrier to creating inspired art

    16 December 2010

  • A logo with brio can change perceptions...

    16 December 2010

    As creators of two of the identities mentioned in the blog article by Patrick Argent, What Happened to Identity? (www.designweek.co.uk, 8 November), we must take issue with the views expressed by Peter Moffat (Letters, DW 18 November).

  • A logo should be versatile enough to be a blank canvas

    18 November 2010

  • I'm sorry, but design really is a boys' club

    18 November 2010

  • The Sorrell Foundation's Saturday Club is a fine idea

    18 November 2010

    I couldn’t agree more (Editor’s blog, www.designweek.co.uk, 12 November). Drawing and making are essential to the initial stages of any design project. There is no better way to quickly generate ideas than by using a pencil and paper. The speed and freedom of the process generates ideas that would never otherwise see the light of day. Ideas beget ideas beget ideas. I couldn’t imagine starting a project any other way.

  • A diamond job - no experience necessary

    11 November 2010

    I was dumbfounded to read your piece about the launch of a competition, organised through the BBC TV programme Blue Peter, calling on children to design the emblem for the Queen’s Diamond Jubilee in 2012 (www.designweek. co.uk, 1 November).

  • No gender bias in design? Take a look at Design Week

    11 November 2010

    Finally, the important question about why there are so few women in senior roles within the design industry (Hugh Pearman’s Private View, DW 21 October) was answered in Rising Stars (DW 28 October).

  • Setting up in India can't be done without commitment

    11 November 2010

    I’d like to echo the views of Lois Jacobs from Fitch (Letters, DW 28 October) regarding the intricacies of setting up a creative business in an emerging market such as India.

  • Sexism in design - it's just not natural

    4 November 2010

    I was shocked that Jim Davies, a male copywriter, could make such a sweeping judgment about female designers (Private View, DW 21 October). I would find it far more interesting to hear about the situation from a young female designer’s perspective.

  • Who says something's cool? Users, not the brand-owners

    4 November 2010

    The definition of cool that I would really like to understand is that used by Cool Brands (What is cool? www.designweek.co.uk, 19 October) How does it measure coolness? Is its cool the same as my cool - or anyone else’s cool.

  • 'WWF given stronger brand identity' - a clarification

    4 November 2010

  • A comment on Gap's logo, and no comment

    27 October 2010

    Regarding its recent attempt at rebranding (Insight, DW 21 October), I think Gap is looking to reconnect with today’s customer and become even more relevant, so it needs to offer customers something that’s different, like the So Cal youth of Hollister or the edgy attitude of All Saints.

  • An inclusive Design Council will be a more effective one

    27 October 2010

    The Design Council has done some fantastic work to raise awareness of design within Government and industry. However, its third set of stakeholders - design practitioners - have not been sufficiently involved in the Design Council’s direction in the past.

  • Patrick Wilson - a friend of design, and a straight talker

    27 October 2010

    It was with real sadness that I read of the death of Patrick Wilson in Design Week . The letter from Greg Quinton (DW 14 October) captures Patrick’s character and passion for design perfectly.

  • What really matters in India is being there on the ground

    27 October 2010

    Your article ’Home Advantage’ (News Analysis, DW 14 October) talks about India being on the cusp of ’developing its own indigenous design industry’.

  • Should designers use their loaf and co-opt the consumer?

    20 October 2010

    With regard to the ongoing debate in your letters pages about the redesign of Vogel’s bread by B&B Studio (News, DW 9 September), I firmly believe that consumer input can lead to more inspirational, not duller, brand design.

  • There's no Easy way to protect your brand

    20 October 2010

    What’s in a name? A brand has many facets - logo, colour, typeface, look and feel, attitude, name - and every brand endeavours to ’own’ as many of these as possible.

  • Is design all about making things better?

    14 October 2010

    I’ve just bought my first issue of Design Week (DW 30 September) since 1996. Up to that point I’d been a regular reader since 1987 and, depressingly, it appears little has changed in the way designers discuss, design and articulate their thoughts - something that has always bothered me as a designer, since, unlike many of my peers, I was acutely aware of my deficiencies and would not let feelings of personal pride stop me from admitting that fact.

  • Patrick Wilson - a friend as well as a client

    14 October 2010

    My mate Patrick Wilson died last Wednesday. I guess that, as managing director of Thrislington Cubicles, he was technically a client too, but I’d prefer to think that for more than 20 years we were mates who helped each other, doing stuff we liked doing and having a giggle along the way.

  • It's been 22 years now, but the disappointment lingers...

    7 October 2010

    What’s my favourite childhood toy, and why? (Voxpop, DW 30 September).

  • The wrong type of baby bouncer

    7 October 2010

    As head of the interior design arm of Sheppard Robson, I have been responsible over the past few years for the interior design and space strategy for clients such as the BBC, BP, RBS and other well-known brands and organisations.

  • Design is all about making things better

    30 September 2010

    I’ve been following your definition of design with some interest (News Analysis, DW 2 September). To me, it is very simple - design is about making things better.

  • Subtlety would have made Boris' bikes more appealing

    30 September 2010

    I hate the new London bike scheme. Correction,I hate the new over-branded bike scheme by Barclays. I am not alone as I am now starting to see ’F*** Barclays’ stickers appear all over the bikes everywhere I go.

  • TV needs new systems as it moves away from passivity

    30 September 2010

    The television landscape is swiftly changing, and it is calling for brave new ways to look at the conventions of TV channels.

  • ...And don't worry about paying much for it either

    23 September 2010

    I read Caroline Robert’s excellent article on crowdsourcing (Private View, DW 2 September) and was reassured, but was later amazed to see on one such site - www.designcrowd.com - that Queens, the self-styled ’ultimate entertainment centre’ in London’s Bayswater, was looking to rebrand and offering just £100 to the winning candidate.

  • He may not be able to draw, but he knows what he likes

    23 September 2010

    How can Hugh Pearman be a design critic if he can’t draw (Private View, DW 9 September)?

  • Until the funding is sorted, design education will suffer

    23 September 2010

    In support of David Kimpton and Julian Grice’s suggestions on how to raise standards in design education (Letters, DW 9 September), I would like to chuck my two-pennyworth in.

  • Want dull design? Just ask a crowd...

    23 September 2010

    Your article last week about the redesign of Vogel’s bread by B&B Studio (News, DW 9 September) was a text-book illustration of how research used crudely can stifle innovation.

  • Get the music right and everything clicks

    16 September 2010

    Life is indeed one big symphony (Insight, DW 26 August). Silence on this crowded isle of ours is a rarity.

  • What's the definition of design? Some more responses...

    16 September 2010

    I read with great interest ’So what is it that you do?’ - your feature on key industry figures attempting to define design (News Analysis, DW 2 September) - and although I realise some people don’t want sound bites, some of the explanations were, frankly, too long-winded.

  • Getting the finances right is always a good place to start

    9 September 2010

    I read with interest your feature on start-ups (On Your Marks, DW 26 August). As an accountant with clients in the design industry, I concur with the advice that the finance team should be in place as soon as possible.

  • It may be organic, but brown waste will never be Green

    9 September 2010

    So, the Greenfuel Company has designed a car that runs on human waste (www.designweek.co. uk, 9 August).

  • This festival is anything but revolutionary

    9 September 2010

    Nobody likes to shoot down good intentions, but I can’t stand by and read about Neville Brody’s Anti Design Festival without thinking how last century the concepts are (News, DW 19 August). If anything shows Brody’s thinking, it’s this enterprise.

  • Too many students, and too little creative director input

    9 September 2010

    Last week you asked what can be done to raise the standard of design education in the UK (Voxpop, DW 2 September).

  • Don't let the grass grow under the feet of this idea

    2 September 2010

    Bin 2 Bin - what a fantastic collaboration (The Art of Plastic, www.designweek. co.uk, 25 August). Love the Nature Step (pictured).Perhaps this should kick off a series of mash-up exercises that bring together ideators from various corners to create new, sustainable ideas. Any suggestions?John Root Stone, Leading the Brand, by e-mail

  • UK plc needs train designs as sexy as this

    2 September 2010

    I was interested to read Jim Davies’ lament about the state of rail in the UK (Private View, DW 19 August). I agree that there are some much better rail experiences to be found elsewhere in the world, but with the coalition Government’s commitment to High Speed 2, we are at an exciting point in the history of UK rail.

  • We're creatives, we're a team - why bother with titles?

    2 September 2010

    In 21 years of working in this industry I have never officially been given a job title (Voxpop, DW 26 August). When I worked at my previous consultancy there were 14 designers and one boss. We just got on with the job without the hierarchy of a title structure.

  • Take the mature route with new technology

    26 August 2010

    While I don’t want to dismiss the benefits of new developments such as chameleon film or augmented reality outlined in your recent feature (Packing a Punch, DW 12 August), why is it designers are so reluctant to draw upon more mature technology such as animated visual effects, commonly known as VFX?

  • A pocket-sized story worth immortalising on the big screen

    26 August 2010

    Although it has been told in print form, my suggestion for a design story worth immortalising on film would be that of Penguin Books and its association with designers and illustrators, which starts at its inception back in 1935 (Voxpop, DW 19 August).

  • ...Or aluminium Coke when it comes to nurturing desire

    19 August 2010

    I have two favourite packaging designs (Voxpop, DW 12 August), and they sit on my desk as a reminder of why design creates the future.One is the aluminium Coke bottles by Turner Duckworth, as they show how design can nurture iconic brand desire. And the other is the Help remedies in New York, which show how design can challenge conventional perceptions, by Chapps Malina.Jonathan Ford, Creative Partner, Pearlfisher, by e-mail

  • What was Brody on about on Newsnight?

    19 August 2010

    I found the exchange between design writer David McCandless and graphic designer Neville Brody on the BBC’s Newsnight on 9 August infuriating (www.designweek.co.uk, 10 August).

  • You can't beat the classic HP sauce bottle design...

    19 August 2010

    In last week’s Voxpop you asked about favourite packaging designs (DW 12 August). My favourite is the reason thatas a child I set my path in packaging design - the classic glass HP sauce bottle.

  • ...And ditching the sponsor would be Wheelie Good too

    12 August 2010

    In reply to your Voxpop in last week’s issue, asking for alternative names for the new Barclays Cycle Hire scheme in London, here’s my proposition.

  • The London Pedal-Pushers scheme must be addictive...

    12 August 2010

    In your Voxpop you recently asked, ’What alternative name would you have given to the London bicycle hire scheme, which is currently called Barclays Cycle Hire?’ (DW 5 August).

  • Virgin Atlantic's new livery lacks confidence

    12 August 2010

    Divide and conquer has been a successful tactic for overcoming adversaries for centuries, and it is one that Virgin Altantic Airways must be wary of, as its brands appear to be becoming increasingly disparate (www.designweek.co.uk, 29 July).

  • ...Strengthen the economy and promote collaboration

    5 August 2010

    The economic value of UK investment in design is out of the scope of the Design Council review (Voxpop, DW 29 July), so it will need to be supported by streamlined and agile public and private partnerships.

  • A future role for the Design Council? To champion risk...

    5 August 2010

    With the future of the Design Council now under review, you recently posed the question, ’What do you think its role should be?’ (Voxpop, DW 29 July).

  • If the content’s fun it’ll keep us interested

    5 August 2010

    There are some helpful observations in Anna Richardson’s feature Screen Literate (DW 29 July), but I challenge her assertion that attention spans are much shorter among online audiences.

  • Design Council review needs more thought

    29 July 2010

    If the Design Council is to undergo a fair and impartial review of its ’future role and status’, then surely a council member is not the person to lead that review.

  • Don't discount Liverpool, it's on the UK design map

    29 July 2010

    I moved to Liverpool in 1988 after graduating in industrial design from the Royal College of Art in London (Letters from Liverpool, www.designweek.co.uk, 21 July). I have laughed out loud subsequently at the stereotyped views on Liverpool that percolate our UK culture.Liverpool is fairly and squarely on the UK design map. My previous industrial design consultancy, Jab Design Consultancy (employing 12 staff), developed the Royal National Lifeboat Institution’s first satellite-enabled ...

  • We must create space for trial and error - and failure

    29 July 2010

    At our consultancy, as with many other small studios, we have started a Lab concept where we allow our designers and developers the time to try to test ideas outside client briefs (Editor’s blog, www.designweek.co.uk, 23 July). It allows us to ’fail’ on many occasions, but, in doing so, we learn at every step.

  • Food, wine and the back of a van - who needs an office?

    22 July 2010

    In your magazine two weeks ago you asked what is the most interesting environment you have ever worked in (Voxpop, DW 8 July)?

  • Their cash, our brains - a winning team

    22 July 2010

    I am excited by the suggestions provided by various contributors to your issue last week (DW 15 July). It took me a while, but here’s my contribution to what could be an ongoing debate, taking on board all their ideas.

  • There are timelier issues than challenger brands

    22 July 2010

    I think it’s a bit late in the day to discuss the issue of challenger brands such as Giffgaff (Comment and News in Depth, DW 15 July). The idea was originally introduced by Adam Morgan in his book Eating the Big Fish in 1999, so the discussion is more than a decade old.

  • Are infographics useful, or mere decoration?

    15 July 2010

    I’m a huge fan of The Guardian’s infographics (Facts in focus, DW 8 July), and have kept a number of the paper’s recent Factfile series.

  • Interesting environments to work in? Let me see...

    15 July 2010

    In your magazine last week you asked what is the most interesting environment you have ever worked in (Voxpop, DW 8 July)?

  • Interesting environments to work in? Let me see...

    15 July 2010

    We have a group of bright young things at Landor Associates called Digital Innovation Group (aka Dig), who have created a space in our building called ’the engine room’.

  • Let's protect education from the brunt of the cuts

    15 July 2010

    I completely agree with Lynda Relph-Knight’s editor’s blog (www.designweek.co.uk, 9 July).

  • College projects must avoid the self-indulgence trap

    8 July 2010

    In his role as external examiner to three universities and through his willingness to offer portfolio advice and lectures at a further five design courses, Adrian Shaughnessy (pictured) should be applauded for having the amount of exposure to graphic design education that he has (Private View, DW 1 July).

  • Peter Cambridge devoted his life to design

    8 July 2010

    Peter Cambridge, who sadly passed away last month on 15 June, was one of a generation of industrial designers whose careers began in the early post-war era.

  • Design has a role to play on the world stage

    1 July 2010

    The application of design to challenges such as mine clearance or peacekeeping in Burundi is not immediately obvious. Last week I found myself sitting with 19 other delegates at a UN strategic design conference (pictured) in New York, trying to meld together the worlds of policy development, design and cultural research to address the issues of turning local knowledge into action. For three days, we discussed the problem of combining the disciplines to develop a method of improving ...

  • Calculated risk-taking and 'creative bravery' will pay off

    Thu, 24 Jun 2010

    I agree wholeheartedly with Jonathan Ford’s phrase ’creative bravery’ being the right approach to the challenging times we are in (Comment, DW 17 June). It is our role as creative thinkers to take the lead and show more traditional businesses how to innovate and have the confidence to put new ideas into practice.

  • BBC should stay true to its values to retain our respect

    24 June 2010

    Regarding your Voxpop (DW 10 June) relating to the major branding challenges the BBC faces following its strategy review, I feel that it needs to get itself out of the news.

  • Let's get clear on the what, where and why of public art

    24 June 2010

    The ’what’ and ’where’ of public art will continue as long as public funding (the ’how’) is part of the package (’The good, the bad and the ugly’, www.designweek.co.uk/blog, 10 June).

  • We'd never ever build in obsolescence

    24 June 2010

    In response to Hugh Pearman’s Private View on appliances seemingly designed to self-destruct (DW 10 June), we can report from the coalface of in-house design that we have never encountered an example of planned obsolescence being built into any of our products and we would be horrified if we ever came across one, as would our company’s quality department.

  • If you really believe in your brand, put your name on it

    17 June 2010

    Good to see that those made-up characters in advertising campaigns do actually exist… and good to see that Harriet Devoy [creative director, marketing communications EMEIA for Apple] gets a quick response from her team.Or was I just watching that iPhone 4 video [pictured] far too closely?Oliver Salway, Softroom, by e-mail

  • Innovation will keep BBC's branding critics at bay

    17 June 2010

    Last week you posed the question, ’As the BBC prepares for its move to Salford and the impact of its strategy review, what major branding challenges do you think it faces and how should it address them?’ (Voxpop, DW 10 June).

  • Packaging is the new advertising, right?

    17 June 2010

    The packaging design industry is in danger of missing a real trick if it doesn’t grasp the golden chalice that is conceptual design. Traditionally, packaging design has been considered a below-the-line operation. As such, we have created design-led products that have ultimately under-sold the contents within.

  • ... But is its success making it too powerful?

    10 June 2010

    It would be criminal if the iPad was, indeed, ’the end of the website’, as suggested by your recent feature (Hype Pad, DW 20 May). What would the online experience become if every Internet presence required the development of an app, apart from corporate and marketing heaven?The beauty of the Web is its democracy, the fact anyone can create a basic Web page. This isn’t about design, but content and information, what makes the Internet the amazing resource it is.

  • Apple may have surpassed Microsoft...

    10 June 2010

    Fifteen years ago I said to the strategy director of a high-profile UK client that I could remake his brand to be like Apple. He said he knew which brand he’d rather his company resembled and it wasn’t Apple, it was Microsoft. News this week that Apple has surpassed Microsoft in value reminded me of that conversation.

  • Christine Clarkson: talented and enthusiastic designer

    10 June 2010

    It is with sadness I note the death of Christine Clarkson after a brave struggle against cancer.

  • Upstairs, downstairs, who cares? It’s still working

    10 June 2010

    I read with interest your article about Eve Stewart recreating a 1930s interior for the BBC’s revival of Upstairs Downstairs (News, DW 13 May), and the reference to the interest in new technologies that were introduced during that decade.

  • Let's use digital tools to get the voting system right

    3 June 2010

    We believe the most powerful way to design solutions is through collaboration with the end user, in this case the voting public (Voxpop, DW 20 May).

  • Sales moving online could affect marketing budgets

    3 June 2010

    Procter & Gamble’s decision to sell its brands direct to US consumers online, via its e-store site, is a clear sign that the traditional business model between retailers and suppliers continues to be shaken up.

  • The new bus is stylish, but is it efficient?

    3 June 2010

    The ’Boris Bus’ is a very stylish piece of work and it is a brilliant idea to have windows by the front stairs (www.designweek.co.uk, 17 May). The window at the back is likely to be expensive.

  • All personality and no politics

    27 May 2010

    Now that the General Election is over we can all get on with the business of getting on with business. What has been interesting this year, however, is that the election campaign has been focused on personality rather than hard politics (News, DW 28 April).

  • Branding is the big issue for charities, not budgets

    27 May 2010

    Yes, the recession has placed budgetary challenges on an increasingly competitive charity sector (News Analysis, DW 6 May), but a shrinking budget isn’t the only issue design has to contend with in the Third Sector.

  • Different paths towards professional development

    27 May 2010

    I enjoyed your article Coach it out (Professional Development supplement, DW 6 May), but I found the title misleading as it was all about training, which is a different activity. While I agree that both activities promote learning, they do it in different ways.

  • David Chaloner 1944-2010: always inspiring

    20 May 2010

    David Chaloner had such an impact on people. As his creative partner and friend, I feel as if I have lost my arms, legs, eyesight and hearing.

  • Letters

    20 May 2010

    I first met David Chaloner in 2007. It was one of those rare occasions when you feel that you are almost meeting yourself. Our ages, backgrounds, career paths, loves, experiences and aspirations were uncannily similar.

  • Letters

    20 May 2010

    I just saw the sad news about David Chaloner. In a time when we all get caught up in our own little worlds, this has come as an incredible shock.

  • Is any CSD certification scheme worth the trouble?

    13 May 2010

    The Chartered Society of Designers member who contacted you, preferring not to be named, about the delays and lack of detail in the CSD’s application to the Privy Council to set up a designer certification scheme (News, DW 1 April), refers to CSD affixes as ’light assessments’ and to chartership as ’hardcore’.

  • Reunited - if only the Apple employee had been as lucky

    13 May 2010

    Following news of the Apple employee who apparently left an in-development iPhone in a bar, you asked the question - what is the most embarrassing thing you’ve ever lost?

  • The benefits of a consortium application

    13 May 2010

    In response to David Bartholomew (Letters, DW 29 April), who referred to my consultancy Bell Design and its application to work for the Department for Children, Schools and Families (News, DW 15 April), I would like to stress that Bell itself is not bidding for the DCSF Integrated Service Provider tender. We are part of a consortium made up of number of creative service suppliers and procurement specialists - we are certainly not going it alone.

  • Drop the logo and you risk confusing the consumer

    6 May 2010

    No need for a logo? So what is there left to distinguish the company name? I have to disagree with Simon Manchipp’s thoughts regarding the rise of the brand world (Insight, DW 1 April). After recently graduating from the University of Portsmouth I focused on semiotics for my major project, and therefore feel I am well rehearsed in the subject.

  • Wayfinding is about more than just signs

    6 May 2010

    As your recent article points out (Seamless Flow, DW 22 April), good wayfinding helps us to navigate in a way that is ’clear, visible and intuitive’. The transport sector, without question, has a particularly tough job to make this happen.

  • We support the ideas behind this healthcare design body

    6 May 2010

    Although I was invited to the Young Foundation meeting about its plans to set up an Institute of Healthcare Design, I was unable to attend and have not been advising them, contrary to the report in Design Week (News, DW 22 April).

  • Los Angeles of the 1950s is the golden era I'd go for

    29 April 2010

    Regarding your Voxpop on inspiring eras (DW 22 April), there are so many to choose from.

  • Supplement artwork revives ancient tradition of error

    29 April 2010

    In William Caxton’s day, text was often reversed by illiterate printers who knew no better.I am pleased to see that this noble tradition has been revived on the cover of the Design Week Photography & Image supplement (look at the camera in the bottom left corner).NB - The Yashica Mat 124G was a fine, medium-format, portrait camera which served me very well in the pre-digital age.Bob Battersby, Photographer, by e-mail

  • The next Government must support SMEs

    29 April 2010

    Kate Sanderson, client services director at Bell Design, says the consultancy is part of a consortium applying to become the Department for Children, Schools and Families’ integrated service provider (News, DW 15 April). She’s certainly plucky: according to the Design Week 2009 Top 100, Bell Design has an annual turnover of £2m and this contract is worth £20-£30m a year.

  • The stories behind the manifesto covers

    22 April 2010

  • There's no way we can do without logos, Simon

    22 April 2010

  • I'd bring in a visionary with brand building expertise

    15 April 2010

    If my consultancy were to bring in a new non-executive director from outside of the industry (Voxpop, DW 11 February), I would like them to challenge and contribute to our vision, scrutinise our performance and have an interesting little black book. So, I’d go for someone like Nick Jones - a complete visionary in his field, with an understanding of brand building and an appreciation of the role design plays for businesses. A small group like ours can respond quickly to opportunities, ...

  • If the logo is dead, what's all this then?

    15 April 2010

    I think that Simon Manchipp (Insight, DW 1 April) had better have a rethink about his ideas before he continues to evangelise on calling a halt on the logo, or at the very least have a look at his own company’s website.

  • It's the loss of departmental rosters that will really hurt

    15 April 2010

    I am puzzled about why you are giving such prominence to the changes in Central Office of Information design procurement procedures (News, DW 1 April), yet ignoring the far larger change that is taking place. (I accept you kindly published my letter on 18 March, but that’s the only publicity the matter below has had.)

  • Technical finesse is a poor substitute for creativity

    15 April 2010

    In response to Philip Ainley’s letter regarding young talent (DW 8 April), I couldn’t agree more.

  • A picture of how design can improve care

    08 April 2010

    Did Think Public design project lead Ella Britton really not understand the Kingston University Design Research Centre report on the design of care homes for people with dementia (News, DW 25 March)? She states that the study ’indicated a lack of engagement with the users’.

  • If you lack gravitas on (the) board, try a Rear-Admiral

    08 April 2010

    Who would I choose from outside the design industry as a non-executive director (Voxpop, DW 11 February)? It depends what I would want one for: to drive efficiencies, grow, sell, develop myself, develop my board and so on. Do I even need a non-executive to help find the non- executive? It’s an important decision because they will have great influence. Perhaps Rear-Admiral Roy Clare RN Rtd. Why? Because he’s an incisive thinker who I like a lot.

  • Need 'bang for your buck'? Don't ask the young bucks

    08 April 2010

    I fully agree with the article by George Foster (pictured) headlined ’Are old hands better than young Turks?’ (Insight, DW 18 March).

  • ...And Richard would bring passion to anybody's party

    01 April 2010

    Who in the design world would I most like to see enter politics? Richard Seymour (pictured). Professional politics really needs individuals with passion, vision, humanity and real achievement.

  • Every design discipline should help in Haiti

    01 April 2010

    Helen Hamlyn Centre director Jeremy Myerson raises the important point that disaster areas need brilliant product and architectural design (Letters, DW 25 March).

  • The best non-executive? An understanding ex-client

    01 April 2010

    Who would I choose from outside the industry as a non-executive director (Voxpop, DW 11 February)?

  • The Conservatives would do well to recruit our Andy...

    01 April 2010

    Given the speculation that James Dyson is being lined up for a role in a future Conservative Government, you asked the question, ’Who in the design world would you most like to see enter politics?’ (Voxpop, DW 25 March).

  • Try the distance learning route to design thinking

    01 April 2010

    I wholeheartedly support James Dyson’s comments on the need to support university design students, and David Worthington’s view that ’We need more thinkers’ (News Analysis, DW 18 March).

  • ...As well as a very funny man in a serious business

    25 March 2010

    I can’t say that I knew Richard Murray very well, but all I do know is that every time I met him he made me laugh.

  • Disaster relief calls for practical help, not platitudes

    25 March 2010

    You recently asked what is the best thing designers can do to help the relief and rebuild effort in Haiti (Voxpop, DW 4 February).

  • Protect your IP rights, but remember the client's needs

    25 March 2010

    The Association of Illustrators has called for designers to share their experiences of moral rights infringement (Voxpop, DW 11 March).

  • Public-sector clients need help with briefs

    25 March 2010

    It’s good to see public-sector design procurement issues being addressed (News Analysis, DW 4 March). There are certainly some serious questions that need answering.

  • Richard Murray was a great, charismatic contact...

    25 March 2010

    Williams Murray Hamm co-founder Richard Murray was a fantastic contact in the design world, always a source of original insight (Comment, DW 11 March).

  • A graphics course would help my MP to communicate

    18 March 2010

    In response to the question ’What would you design for your MP, and why?’ (Voxpop, DW 18 February), it would have to be a crash-course in design - to top off his flawless socialist credentials.

  • Government move will hit smaller outfits

    18 March 2010

    Well, it was all very interesting to read ’Buyers’ guide’, your article about the Associate Parliamentary Design & Innovation Group’s long-awaited report on public-sector design procurement (News Analysis, DW 4 March), but the group doesn’t seem up to speed with recent events.

  • Public perception of moral rights issue needs to change

    18 March 2010

    Regarding the issue of moral rights infringement (Voxpop, DW 11 March), I think the best way to address manipulation of other people’s work is to put in place a system that recognises ownership and provides a cost-efficient and simple means of licensing and permission-based usage.

  • Sam Sampson: larger than life and a true innovator

    18 March 2010

    I worked with the late Sam Sampson, first as his client and then as his business partner. In all, we worked closely together for more than 20 years. We made Sampson Tyrrell into one of the leading UK design consultancies and then, in the 1990s, we created and implemented the plan that built Enterprise IG, now The Brand Union.

  • ...And Ant's image was made his own charming way

    11 March 2010

    I’ve always admired the musicians who do things their own way, in spite of what everyone else tells them. Scott Walker, Prince, Björk, Adam Ant…

  • ...with a knack for capturing the attention of the 'suits'

    11 March 2010

    In tribute to Sam Sampson, I first met Sam while I was involved with new business at JWT. He really wanted to find out if we could help Sampson Tyrell (as a new member of the WPP group) by having him help our clients.

  • Albarn blurs the boundaries of disciplines and music…

    11 March 2010

    The musician who I think would bring the strongest creative direction to branding projects (Voxpop, DW 4 March) is British singer-songwriter and record producer Damon Albarn. A strong and passionate artist, he is a master of reinvention and thrives on challenging himself creatively.

  • Be brave and reveal your results for 2009

    11 March 2010

    So the submission date for the Top 100 Consultancy Survey is almost upon us again. I suspect that given the year we have all just been through, completing it this time around is going to be an unpleasant experience for a number of consultancies.

  • Non-executives need design experience - and vision, too

    04 March 2010

  • There's a fine line between familiarity and disrespect

    04 March 2010

    I have worked for Phil Jones in person, and it is so true what he says about motivating his staff in his Business Insight (DW 18 February). He made sure that everyone’s ’emotional buckets’ were brimming.

  • There's nothing genuine about Café Parisien

    04 March 2010

    I was interested to read David Benady’s article about brands using provenance to reassure consumers of their credibility (Local Flavour, DW 18 February). Haircare brand Aussie and confectioner Krupskaya are true examples of how provenance has been used - it is their point and consumers appreciate them for that reason.

  • We must keep our focus on the facts of sustainability

    04 March 2010

    It was interesting to read Take Stock, Anna Richardson’s feature about the sustainable process (DW 11 February).

  • ...others say MPs worry far too much about public opinion

    25 February 2010

    What would I design for my MP, and why? Well…

  • Chartered status? Nice idea, but it won't work

    25 February 2010

    I read your feature ’Membership rewards’ (News Analysis, DW 4 February) regarding chartered designer status with great interest.

  • It's a shame retail design is not taken seriously in the UK

    25 February 2010

    Thank you for your generous words about my appointment as professor of retail design at Delft University of Technology in the Netherlands (Comment, DW 18 February).

  • Some think MPs need feedback from their constituents...

    25 February 2010

    Following Public Zone’s creation of an iPhone app that allows constituents and MPs to communicate with each other, you posed the question, ’What would you design for your MP, and why?’ (Voxpop, DW 18 February).

  • A united voice, yes, but let's drop the idea of assessment

    18 February 2010

    Reading your piece ’Design could wield greater influence with a united voice’ (Comment, DW 4 February), I was struck by the line, ’A harmonious chorus on issues of mutual interest could wield greater influence… than a single body can achieve. It would be great to see them agreeing an agenda and collaborating openly.’

  • Allan Leighton - the ideal non-executive champion of design

    18 February 2010

    Last week, you broached the subject of bringing in people from outside the design industry as a non-executive director, and who to appoint (Voxpop, DW 11 February).

  • Red pencils for the best ideas for the Haiti relief effort?

    18 February 2010

    What is the best thing designers can do to help the relief and rebuild effort in Haiti (Voxpop, DW 4 February)?

  • Try the kitchen table for some homespun wisdom

    18 February 2010

    Given the continuing debates about going freelance vs the security of the payroll, and the delights of working in the centre of a city, compared to the drawbacks of life in the regions, I thought my experience might helpothers considering working from home.

  • Evolution not revolution is stifling vehicle design

    11 February 2010

    Regarding your feature ’The body electric’ (DW 21 January) and the opportunities offered automotive designers by electric vehicles, in theory the opportunity is indeed a great one and we would hope to see a new automotive aesthetic emerging.

  • Mayor Boris taking a different route on London bus design

    11 February 2010

    Boris Johnson makes some wayward decisions on design - to replace the Routemaster, he launched a competition in which the winners were two projects with rear platforms.

  • Only joined-up thinking will help the people of Haiti

    11 February 2010

    With regard to the question, ’What is the best thing designers can do to help the relief effort in Haiti?’ (Voxpop, DW 4 February), maybe the best thing that the UK design community could do for this type of disaster is to discreetly develop an intelligent, functional, co-ordinated range of equipment that can be stored around the world, ready for such incidents.

  • Co-design cannot work without a bit of co-production, too

    04 February 2010

    Your recent poll on the merits of co-design (News, DW 14 January) reveals a split decision on whether it’s a good thing or not.

  • Regional design support is all about collaboration

    04 February 2010

    I write in connection with the article by Peter Spence of the South Coast Design Forum (Letters, DW 7 January).

  • Strategic planning? Creativity? Top of the list is integration

    04 February 2010

    Strategic planning does not corral creativity, as suggested by the recent article by Brian Mansfield (Business Insight, DW 21 January).

  • The simple truth: adding authenticity just isn't that easy

    04 February 2010

    You recently posed the question ‘How can you make a brand more authentic?’ (Voxpop, DW 10 December 2009).

  • Graduate survey - positive spin, or a shameful farce?

    28 January 2010

    What the Creative Graduates, Creative Futures survey (News, DW 21 January) has missed out is the fact that 10 000 new designers graduate every year, and at least 200 000 new designers have graduated in the UK in the past 20 years.

  • RDA support for design is key to economic success

    28 January 2010

    As both an experienced design professional, and senior design specialist for the regional development agency One North East, I was a guest speaker at the Design Council event Shape the Future of Design Networks in December (News Analysis, DW 7 January).

  • Uninformed criticism of design is hard to rebuff

    28 January 2010

    I read with considerable amusement your piece on the comments of Conservative MP Greg Hands (pictured) about the outsourcing of creative work on the NHS 60th anniversary logo to design consultancies (News, DW 14 January).

  • COI take note: seven is the magic staff number

    21 January 2010

    I thank Fanny Sigler for responding to my letter with regards to the Central Office of Information’s brand and brand identity framework’s strict capacity and resources criteria (DW 7 January).

  • It isn’t as simple as Greg Hands, a case of right or wrong

    21 January 2010

    The comments made by Tory MP Greg Hands surrounding the NHS 60th anniversary logo, which cost £12 000 to create, has resulted in uproar in the industry and has raised issues within the public sector (Voxpop, DW 14 January).

  • Let’s help the public sector design better tender processes

    21 January 2010

    I have just hauled myself out of the torpor-inducing task of writing two public-sector tenders (see the debate on this page, DW 3 December 2009 and DW 7 January, as well as Adrian Shaughnessy’s case for better procurement in his Private View, DW 7 January).

  • The real challenge is to improve quality is to improve quality across the board

    21 January 2010

    The kind of facile statement Tory MP Greg Hands recently made about public-sector identity work, saying anyone with ‘an average brain’ could do better, is beyond frustrating (Voxpop, DW 14 January).

  • All hail the era of brand theatre and digital retail

    14 January 2010

    I agree with the thrust of Angus Montgomery’s article (News in Depth, DW 10 December 2009) that retail brands of the future will be characterised more by digital brand experiences than by looks and logos.

  • Authenticity means honesty - you can't just conjure it up

    14 January 2010

    In response to your Voxpop asking how brands can be made more authentic (DW 10 December 2009), authenticity needs substance. It cannot be invented. To do so is to attempt to fool your consumers, and we know that honesty is key to driving a deeper, more connected relationship with them.

  • Let's see if regional design networks would sink or swim

    14 January 2010

    Regarding your article about the funding of regional design networks (News Analysis, DW 7 January), as someone who has run a design group for the past decade and as an entrepreneur, I would welcome the end of public funding for these kinds of organisations.

  • Software can never replicate the talent of good designers

    14 January 2010

    On Boxing Day 2009, an article appeared in The Times newspaper about public-sector spending on design. In it, the Conservative MP Greg Hands said that modern software packages make it possible for ‘anyone with an average brain’ to create work as good as, if not better than, that of trained designers.

  • Something for everyone in new COI frameworks

    Fri, 8 Jan 2010

    In response to Jonathon Jeffrey’s recent letter (DW 3 December 2009), we admit that capacity and resources do form part of the strict selection criteria for the Central Office of Information’s brand and brand identity framework, and for every invitation to tender we’ve issued in the past five years.

  • Regional design support needs to find new models

    07 January 2010

    Last month, the Design Council brought together representatives of regional design groups and national bodies to ‘shape the future’ of design support organisations. Three key themes emerged. There was agreement that all the bodies should work together, and the first task was to set out exactly what ‘collaboration’ means. This is needs to be done quickly to maintain the momentum of the meeting.

  • Sometimes a trawl is the real thing - try calling their bluff

    07 January 2010

    Blue Marlin boss Andrew Eyles raises an interesting issue with his frustration that too many international clients are simply interested in trawling for free ideas from UK design consultancies (News Analysis, DW 10 December 2009).

  • Why did the product designer cross the road?

    07 January 2010

    Just recently I’ve noticed a new type of pedestrian crossing around London.

  • A welcome for The Sorrell Foundation's Saturday youth club

    17 December 2009

    I welcome The Sorrell Foundation’s latest initiative, the National Art and Design Saturday Club (Comment, DW 19 November). The foundation has already provided the innovative Young Design Programme, which has captured the imagination of students, allowing them to experience collaborative practice in a real-life setting. Plymouth College of Art is delighted to have worked with Sir John and Frances Sorrell and their foundation to develop its national model.

  • More than a mere 'pocket' are itching to leave their jobs

    17 December 2009

    In your article on the Design Industry Voices Report (News, DW 3 December), Ian Cochrane suggests that ‘pockets of people’ are demoralised as ‘there has been a hold on salaries and no bonuses given out’, and that they don’t understand ‘that the situation is the same everywhere else as in their current consultancies’. A 12 per cent response rate is more than a representative sample of the UK design and digital industries, so the 38 per cent who intend to change job when the recession ...

  • Stem priority areas must include art and design

    17 December 2009

    In the decade since the publication of the Creative Industries Mapping Document by the Department for Culture, Media and Sport, there has been growing recognition of the importance of the creative industries. It is the fastest-growing sector of the economy, generating £60bn, some 7.3 per cent of GDP, and employing two million people. However, this position is leading to complacency. Our success is directly related to the infrastructure of education which supplies our industries ...

  • The regions have a stronger identity than David Cameron

    17 December 2009

    Conservative Party leader David Cameron recently told the CBI conference that Britain lacks strong regional identities (Voxpop, DW 3 December). I disagree. It’s just the sort of thing you’d expect a soft, southerner to say. The ‘regions’ (was there ever a more pejorative term?) don’t need an identity because they already have an identity. The people of Manchester were asked if they wanted a mayor and rightly said no. Cameron should concentrate more on his own identity ...

  • Boundary blurring was my route into the digital sector

    10 December 2009

    You recently posed the question, ‘What attracted you to working in the digital sector, and what route did you take into it?’ (Voxpop, DW 19 November) I’m interested in the part of the digital sector which re-imagines emerging and old technologies and questions their impact on our lives. I enjoy creating work with character, that tells a story and arouses curiosity. What interests me is work that blurs the boundaries between art, craft and technology. I realised ...

  • Graphic design is about the client, not the art-lover

    10 December 2009

    I was disappointed to read the article ‘Somerset House promotes graphic design with annual fair’ (DW 12 November). As an industry, we spend a lot of time and effort explaining to clients, and other non-designers, what we do and why it is important to them - how graphic design is a vital tool for communication, with measurable effects. However, reading this article we don’t seem to be clear on what graphic design is ourselves. Who are we designing for? We design ...

  • The COI may be being fair, but it doesn't feel like it

    10 December 2009

    Andrew Prince, referring to the new Central Office of Information design roster, says he’s expecting more than 1000 pre-qualification questionnaire submissions for 11 lots, with five consultancies on each (Letters, DW 26 November). So that’s 55 successful applications and about 945 futile ones - grim odds. He gives a time of four hours to complete the PQQ. I doubt it can be done in less than ten, taking the case studies into account. That’s 945 futile applications x ten ...

  • We only have a decade to change our behaviour

    10 December 2009

    I have been going to a few non-design talks recently, but these have been overshadowed by one held earlier this month by Tomorrow’s Company at the House of Lords. Entitled Qualitative Growth, it launched a paper by the Institute of Chartered Accountants for England and Wales and was supported by the World Wildlife Fund. The paper set the agenda for businesses and the paradigm shift that is required within the next ten years. I also went to the Tomorrow’s ...

  • A request for help for The Sorrell Foundation's club

    03 December 2009

    In response to your piece about the National Art and Design Saturday Club (Comment, DW 19 November), I wonder if I could ask any Design Week readers who attended Saturday art and/or design classes in their younger days to send any details of their experiences to the following address/ The Sorrell Foundation, Somerset House, Strand, London WC2R 1LA. Alternatively, they can e-mail info@thesorrellfoundation.com. We want to gather anecdotes and information as part ...

  • Music and design - what a virtuous circle of influence

    03 December 2009

    I enjoyed reading the article on Mark Farrow and was particularly interested in the influence music had in his work (Profile, DW 12 November). After studying graphic design I left my job for a career in music. Our agent shared an office with Farrow’s company. The walls were adorned with Deconstruction and Pet Shop Boys artwork, and projects like the Atlantic Bar and Grill. While hanging around doing nothing, as we seemed to do a lot, I’d wander about, taking it all in. To ...

  • Rodney Fitch move will see no change of emphasis at Fitch

    03 December 2009

    Following Rodney Fitch’s departure from the consultancy there was a suggestion that under my leadership the nature of the Fitch offer would change in emphasis (Comment, DW 26 November). Nothing could be further from the truth. Fitch has a leading reputation worldwide for branding and design, with special expertise in retail. My only aspiration is to nurture and grow that reputation, delivering ever-increasing value to our clients. Fitch Live is our experiential ...

  • The difference between six and 11? A COI brief

    03 December 2009

    So, the Central Office of Information is reviewing its roster of consultancies for design services, splitting it into three new frameworks (News, DW 24 September). COI creative director Fanny Sigler said, ‘We need a really good mix of agencies across all the lots to respond to the variety of briefs that we handle from across the public sector.’ We thought this sounded interesting and something we should aim to be on, as this is a field that we specialise and ...

  • Banks should bank on affordable luxury to instil confidence

    26 November 2009

    Two weeks ago you posed the question, ‘What can the new and devolved banking brands do to instil confidence in their customers?’ (Voxpop, DW 12 November). High street banks need genuine high street attitudes if they hope to attract consumer buy-in. They need to look at successes like the boom in affordable luxuries, and work out how they can draw a line from lipsticks and chocolate bars to mortgages, pensions and overdraft facilities. It might sound weird, but ...

  • COI is not to blame for public-sector problems

    26 November 2009

    Recent news items and letters about design procurement in the public sector have raised some important issues regarding free-pitches, aborted tenders and Central Office of Information rosters (News, DW 24 September, and Letters, DW 22 October, 29 October and 5 November). Setting up a design framework that meets European Union regulations, allows you to judge submissions fairly and isn’t too time-consuming for consultancies is a difficult balancing act. For our ...

  • Ethical design is about more than choice of materials

    26 November 2009

    It is sad to see the idea of good design being misrepresented by Starbucks with its new boutique design (www.designweek.co.uk, 6 November). I think the design world has moved far beyond the idea that using responsible building materials constitutes good design - this is something so fundamental in any design that, really, we should all stop talking about it and just do it. To use this idea to unveil a new design, and keep rolling it out as if it were ‘the next ...

  • Rams retrospective proves the value of in-house design

    26 November 2009

    All praise to your item on in-house design (Comment, DW 22 October). Indeed, in-house design is often viewed as the poor relation, but you can now see the results of 50 years of in-house design, because Dieter Rams’s work for Braun and Vitsoe is being exhibited at London’s Design Museum. Rams often speaks of his internal battles with the marketing departments of Braun and its then US owner, Gillette. However, good design is often the product of a single-minded ...

  • Ignore the PQQs and you might get some business

    19 November 2009

    I’d like to add my thoughts to the debate currently raging on the increasingly thorny topics of public-sector procurement and free-pitching (Letters and News, DW 29 October and 5 November).

  • There’s more to design than Starck and stereotypes

    19 November 2009

    As a great admirer of Adrian Shaughnessy - his fantastic book Graphic Design: A User’s Manual is currently sitting on my desk in front of me - I am surprised by his reaction at the collective criticism, including my own, of Philippe Starck’s recent TV show.

  • Yes, it is time for another

    19 November 2009

    Greg Quinton’s suggestion about a follow-up to A Smile in the Mind (Letters, DW 22 October) made me think of another influential book.

  • Hmmm. Would that nice Mr Rankin do us a free shoot?

    12 November 2009

    How very generous of top photographer Rankin to invite five consultancies to pitch for free to design not only his own website, but also an additional one for him and his business partner, Chris Cottam (News, DW 22 October). And why only five consultancies - why not ten, or more? Our company is currently looking at photographers for a project, and I think I’ll return his generosity and get him to shoot some ideas as part of a free pitch - or would he have a problem ...

  • If it's not recyclable, pack innovation has no long-term value

    12 November 2009

    A couple of weeks ago you ran a story on Constellation Europe’s wine packaging (www. designweek.co.uk, 20 October). Clever it may be, but designing packaging today is surely about ‘reducing, recycling and reusing’. Although the components of a product like this may be individually recyclable, it is how the combined materials are disposed of by the end-user that must be at the forefront of any new idea. Will you or I separate the foil bag, plastic ...

  • Joined Up youth project shows UK design at its best

    12 November 2009

    In response to your piece on the Joined Up Design for My Place initiative (News, DW 29 October), I’d like to stress that those who volunteered to work on it did so for nothing more than a small honorarium. Some refused to accept payment and one even wrote a cheque for £5000 for his young client. They all donated a huge amount of time, created brilliant concepts and engaged wholeheartedly with their young clients. We were overwhelmed by their generosity and readiness to go ...

  • When the original is this good, don't 'refresh' it

    12 November 2009

    Is it really necessary to ‘refresh’ the National Trust identity (www.designweek.co.uk, 27 October)? If any organisation cares about heritage and conservation, surely the trust should. Instead of squandering the money on this folly, why not tap into David Gentleman’s original thinking? It is far, far stronger than anything that’s been produced in recent years and I doubt it will be overshadowed by whatever Wolff Olins will produce. Looking back 30 years to the ...

  • Free-pitches and aborted tenders are a tax on designers

    05 November 2009

    A couple of weeks ago (Letters, DW 22 October), I warned of the potential £1m cost to the design community of most of of the nation’s design consultancies trying (and failing) to get on the new Central Office of Information rosters (News, DW 24 September). I also gave an example of a public sector tender showing how rostered consultancies were asked to do an unpaid creative pitch where the total value of the pitch costs exceeded the value of the project itself - 12 groups ...

  • Ray is already bringing sunshine to his new role

    05 November 2009

    I am writing to follow up the letter titled ‘So long, Ray, you’ll be a very hard act to follow’, sent in by Gareth Roberts of Bulletproof Design (Letters, DW 8 October). Ray Gregory, as Roberts says, has influenced many of today’s leading design talents and, although he’ll be sorely missed in his previous role as graphic design tutor at Norwich School of Art and Design, he hasn’t gone forever. In fact, at the time of this letter being published, he was settling in ...

  • Smile in the Mind sequel should focus on the idea

    05 November 2009

    In response to Greg Quinton’s question regarding whether there is any interest out there for a follow-up to the seminal book A Smile in the Mind (Letters, DW 22 October), I’d support a new edition. His other question, about whether such work is really relevant any more, is more interesting. I believe it is, though an entire edition about witty thinking in design isn’t the right thing to do. Many consultancies produce witty work, and it would be good to pick up ...

  • ...though our indignation won't stop the practice

    29 October 2009

    Birmingham City Council has fallen foul of the design community by asking interested groups to provide logo and identity design proposals and a whole raft of rationales for sub-branding, design application and a proposal of style for fun. Actually, it is in the pursuit of a ‘world class’ identity for the Library of Birmingham, due to open in 2013. And the carrot for the lucky winner? A contract worth £30 000. It seems there are some hungry folk around who will ...

  • Please don't devalue creativity by asking us to work for free...

    29 October 2009

    I don’t agree with free-pitching at all (News, DW 15 October).I think it really devalues the creative process. But I find it particularly annoying that Birmingham City Council should ask for such a progressed level of work for nothing - they have no idea of the amount of time and knowledge required to develop a brand. A budget of £30 000 is not a large one. When free-pitching first raised its head, it was to manage accounts for two or more years of work. Now we seem to be ...

  • Trust fund set up for Martin Cox's daughter Alexa

    29 October 2009

    A big thank you to all those who attended the celebration of Martin Cox’s life in September (Letters, DW 20 August). It was a memorable day and we know that Martin would have been touched. A trust fund has now been established for Martin’s two-year-old daughter Alexa. If any readers who knew Martin would like to make a contribution to it, please contact info@blast.co.uk for more details. Colin Gifford, Director, Blast Design, London N1

  • UK creative skills are still in demand on the global stage

    29 October 2009

    In response to your Voxpop on which countries are coming out of recession fastest (DW 22 October), we are seeing sentiment improving across Asia and the Middle East, but we are not necessarily seeing green shoots of recovery. We think today’s levels of economic activity are likely to remain more or less static through 2010. This said, UK creative excellence is very much sought-after, and we are growing our business in our international markets while the UK remains challenging. ...

  • A Smile in the Mind could be an annual annual...

    22 October 2009

    The guys at Thoughtful asked if we had considered producing an update of Smile in the Mind (Letters, DW 8 October). Well, the answer is… Yes. Annually. The discussion always goes the same way: How do you follow up the classic and guarantee a Godfather 2, rather than Star Wars 1-3? Has enough time gone by? Is it really relevant any more? Is there the interest out there? You tell us… Greg Quinton, Creative partner, The Partners, by e-mail

  • COI procurement shake-up is a cause for financial concern

    22 October 2009

    The news that the COI design rosters are again up for tender is not a cause for celebration (DW 24 September). Based on the last time, 650 consultancies will apply for pre-qualification questionnaires, and the total cost of them all tendering, by my reckoning, is more than £1m. At the end of this process there will be 20 or so winners. However, we’ve been successful with the COI on the past two occasions and never had a single job. Another Government department ...

  • Don't blame Starck, it's the fault of the system

    22 October 2009

    In response to the article by Hugh Pearman (Private View, DW 8 October), I felt compelled to write a letter. I have been watching the Design for Life show behind clutched hands on face with shouts of abuse to both the designers and Philippe Starck. I agree with almost all of Pearman’s observations. The brief set by Starck a couple of weeks ago was like giving an artist a blank canvas with no paints. He was vague and unclear on what the deliverables were, which ...

  • Security is always an issue with structural packaging

    22 October 2009

    On the weekend as we were returning from Arizona we had collected a box of glass items that we were to take on the plane as hand luggage so that they did not break. Going through security at Phoenix airport the conveyor belt came to an abrupt stop and I was asked to move away immediately and stand in the middle of the secure area. I was told not to say anything and surrounded by airport security dressed in official blue uniforms I knew I was in trouble, but was not aware ...

  • An honest day's pay for an honest day's work - it's only fair

    15 October 2009

    Adrian Shaughnessy has made a very solid point with his thoughts on interns (Private View, DW 1 October). The creative industries often cite themselves as topping the tree in terms of ethical practice, but I am frequently astonished at the number of consultancies that will underpay, or (as Shaughnessy alleges) not pay, interns. This could be a situation that interns themselves, in some part, perpetuate, as I have met a number of students who claim they will work ...

  • More thoughts on what D&AD's new team should do

    15 October 2009

    A couple of weeks ago, you canvassed people’s thoughts on what issues the new president and deputy president at D&AD should address over the next 12 months (Voxpop, DW 24 September). Although, as an organisation, D&AD needs to ensure its relevance to an increasingly international and diverse audience, it also needs to remain confident and single-minded, staying true to what it believes in and stands for. In my opinion, it should be promoting, educating ...

  • Roster shake-up at COI may not boost efficiency

    15 October 2009

    I read with interest that the Central Office of Information is splitting its ‘design and creative for print’ roster into three new frameworks in an attempt to speed up the procurement process (News, DW 24 September), but I fear this may only serve to exacerbate the real issues involved. A roster should consist of the right number of the right consultancies, which receive the appropriate remuneration that their work deserves. If the European Union directive requires ...

  • Surely this is design for a laugh, not Design for Life

    15 October 2009

    Philippe Starck’s BBC Two programme Design for Life is a joke and I desperately hope that none of our clients or any students of design stomach it. Starck is the worst type of stereotypical designer who fuels the world-at-large’s perception of designers as head-in-the-clouds dreamers, rather than grounded, creative professionals. Starck and this programme are damaging to our industry and no help to the students. If he thinks he is helping mentor students by acting ...

  • Make a stand on free-pitching, but don't expect it to end

    08 October 2009

    Shan Preddy’s piece on free-pitching (Business Insight, DW 24 September) was, I feel, not the whole story. Way back in the early 1990s I worked for an award-winning consultancy that was at the forefront of the ‘don’t pitch for free debate’. ‘We don’t, and look how successful we are,’ it said. Except it did sometimes pitch for free, or for a nominal fee to salve its guilt - but always secretly. Creative presentations rarely win pitches, but when done well can ...

  • So long, Ray, you'll be a very hard act to follow

    08 October 2009

    Although it may seem like a mere footnote to the design industry, I know the news of the retirement of Ray Gregory - the long standing head of the BA Design course at Norwich University College of the Arts (formerly the Norwich School of Art and Design) - will affect many people within it. His retirement is a real loss to the future of the industry. Ray was at Norwich for more than 20 years and taught some of the design industry’s biggest players, including Phil Carter and ...

  • Witty design doesn't have to end with A Smile in the Mind

    08 October 2009

    All of us here at Thoughtful agree with Luke Manning’s choice of inspiration - Beryl McAlhone’s and David Stuart’s A Smile in the Mind is a constant source of inspiration for us, too (Inspired, DW 24 September). We’ve been thinking it would be a great time for ‘A Second Smile in the Mind’, which would include a new generation of designers and consultancies that play with graphic wit in their work - names like Purpose, Johnson Banks and Daniel Eatock, to name a few.

  • Bendy or not, just tell us when it's going to arrive

    01 October 2009

    I was intrigued to read your news about London Mayor Boris Johnson’s speech at the opening of the London Design Festival, where he restated his support for the traditional and acknowledged design’s importance to the capital’s economy (www.designweek. co.uk, 22 September). Perhaps he might like to explain, then, exactly why, since his arrival as leader of the Greater London Authority, the ‘real time’ bus information system that was so crucial in improving the service experience ...

  • Contestants happy to escape show, but this one's still willing

    01 October 2009

    Following your piece on contestants from BBC Two’s Design for Life saying how they are looking forward to leaving behind the influence of Philippe Starck (www. designweek.co.uk, 21 September), I have a few legitimate gripes. If Starck was to impose on himself the criteria he started to impose on the contestants - a reluctance to reference aesthetics, consideration of the environment, and a rather banal focus on functionality - he wouldn’t be producing the (admittedly very ...

  • Freelances deserve a fair reward for the profits they generate

    01 October 2009

    Thanks for your article on freelances and the rates of pay you’ve number-crunched for us to see (Up-skill battle, DW 17 September). It’s reassuring to see that we’ve got it right for the most part in what we charge for freelance work. The declining rates of pay also demonstrate to our clients that most designers are finding it hard to make ends meet in this current climate. The problem we face is how to manage client expectations while remaining competitive, ...

  • Cleaners can earn more than creative directors, it seems...

    24th September 2009

    It’s disheartening to see the fall in the rates paid to freelances (Up-skill battle, DW 17 September). The building in which I live employs a freelance for the cleaning of the communal areas at £13 per hour more than a London creative director gets paid. Now I know where we can make economies. Are there any creative directors out there with Henry vacuum cleaner and mop-and-bucket experience who want £50 for an hour on the halls, stairs and landings of Langham Place?

  • Course funding for more creative time is what's needed

    24th September 2009

    Regarding Glenn Tutssel’s call for three-year foundation courses to improve arts education (Voxpop, DW 17 September), I believe he is being disingenuous. This debate between specialist and generalist education has been banging on for years. My view is that art and design higher education should promote core skills and a depth of understanding in one discipline with transferable skills in other areas, while retaining completely open experimental options, usually over summer, ...

  • Spare a thought for the founders, new leaders

    24th September 2009

    I write in response to the news that Paul Brazier and Simon Sankarayya are taking over at D&AD (DW 17 September). The organisation has expanded hugely from the small community of pioneers who started it. Without Edward Booth-Clibborn it wouldn’t be there at all, and he is a former president. Whatever the reasons for Booth-Clibborn’s departure, they should now be forgotten. Any organisation that denies and fails to embrace its founders is diminished. Confucius says ...

  • ...or an opportunity for consultancies to educate clients?

    17 September

    Regarding the debacle of the Greater London Authority London logo tender, I believe that our industry has a couple of questions to answer.

  • ...risking a big backlash from the general public...

    17 September

    Good on Lambie-Nairn for taking a stand on the Greater London Authority logo tender (News, DW 3 September). This is despicable behaviour on the part of the GLA and really shows a lack of respect for and an understanding of the creative community, in spite of its importance as an industry to the UK and London.

  • Housing co-op work may be sustainable, but it's not design

    17 September

    I’m not often astonished, but reading last week’s issue I was. There was a piece on seven housing cooperatives (News, DW 27 August). Aconsultancy that designed all seven of them claims sustainability as a specialism.

  • Is the London logo free-pitching debate opening up design...

    17 September

    There are two points that are missing from the debate over the Greater London Authority logo tender (News, DW 3 September). First - it levels the playing field. Too many times only elite consultancies are asked to submit designs for public works. The GLA bake-off enables anyone - of any background - to submit their design. In that way, it is a spin-off of the London 2012 site that asked for logo submissions (after the launch of Wolff Olins’ controversial identity).

  • Design, not user-testing, will challenge convention

    Thu, 10 Sep 2009

    Regarding Anna Richardson’s article Modern Hieroglyphics (DW 6 August), Gary Davis says, with reference to making symbols recognisable and conforming to an established standard, ‘But who makes that judgement? Not the designer, that’s for sure.’ (Letters, DW 20 August).

  • Beer, chips and a short course in film studies - perfect!

    10 September 2009

    Last week, you posed the question, ‘What’s your favourite pub, and why?’ (Voxpop, DW 3 September).

  • How can clients take us seriously if Boris can't?

    10 September 2009

    I just wanted to echo the sentiments of Lambie-Nairn and others (News, DW 3 September) about the frustrating communication - or lack of it - within the Greater London Authority.

  • Many Europeans might agree that Brits have no taste

    03rd September 2009

    Not sure who wrote the article on Hotel Chocolat (Profile, DW 6 August), but one thought came to mind - only a Brit could write a whole page of editorial about a chocolate manufacturer and not once mention the word ‘taste’. It’s just one more anecdote to relate, when my friends on the Continent (note - not Europe, as the UK was part of Europe, the last time I looked) ask how life is on the island. Anja Jessen, Oki Europe, by e-mail

  • More consistency would make Cabe's reviews even better

    03rd September 2009

    One area that we feel Paul Finch should focus on at the Commission for Architecture and the Built Environment would be the ‘design review’ process (Voxpop, DW 27 August). The purpose of these reviews is to improve the design quality of schemes at,or prior to, planning. Land Securities is supportive of these reviews and believes that there is real benefit in having a fresh, expert pair of eyes review and critique design proposals at a stage when amendments can be introduced. ...

  • We need the odd pointer to continue to aim high

    03rd September 2009

    What an inspiring insight into reshaping your mindset (‘Stepping up to the next level’, Business Insight, DW 13 August). At our office we strive ‘to be who we can be’ and excel across all levels of our operation. In doing so, we are often disappointed by a percentage of potential clients who do not share the same standards - both in the manner in which they conduct themselves and in the influence they expect to exert as they drive down the quality of the final ...

  • A complementary, not competitive, resource

    27th August 2009

    There is ongoing debate around the perception that universities are increasingly encroaching on the work of professional design consultancies, with some taking a view that higher education institutions offer inferior design services to their commercial brethren. The report on this topic released by British Design Innovation earlier in the year (News Analysis, DW 2 April) recommended that universities and the private sector should work closer to build closer working relationships. ...

  • Cheeky to suggest cosmetics branding represents Pop Art

    27th August 2009

    There is nothing Pop Art about Longfield Studio’s brand identity for the Cheeky Girls cosmetics range - it’s merely a modern-day take on traditional cartoon forms (www. designweek.co.uk, 31 July). Pop Art is an art movement dominated by cartoon, but combined with mundane objects creating montages. A good brand solution with more of a relevance to the Pop Art movement, I feel, is Soap & Glory (pictured). Tanya Gander, by e-mail

  • Essential Waitrose designs: more than just one meat label

    27th August 2009

    I’ve just seen the article ‘Brand battle hits the aisles’ (News Analysis, 13 August), which refers to our newly branded range, Essential Waitrose. I very much wish we had been given the opportunity to supply an image to represent the scope of the work we have been doing on this project. We have designed the packaging for more than 1400 products, and commissioned around 1000 illustrations. The design attention given to each pack and product area was a crucial ...

  • Return of interior design to the RCA is very good news

    27th August 2009

    The British Institute of Interior Design wholeheartedly welcomes the news that the Royal College of Art is to bring back the Interior Design course (News, DW 30 July). Interior design covers a wide spectrum of practitioners and practices, and the BIID has been active in promoting good professional practice through its collaboration with the Royal Institute of British Architects on the Form of Agreement ID/05. This aims to clarify the ways a designer may work. A ...

  • Consultation must start with some engagement

    20th August 2009

    I feel I must put the record straight regarding Emily Campbell’s assertions (DW 6 August) that she ‘consulted’ with the Faculty of Royal Designers on her Design & Society manifesto/pamphlet. To use the words of former Cabinet Secretary Sir Robert Armstrong, Campbell is being ‘economical with the truth’. When Campbell joined the Royal Society of Arts last year she attended a Royal Designers for Industry executive meeting to meet and get to know us, as she ...

  • Make sure symbols are comprehensible as well as graphic

    20th August 2009

    Anna Richardson’s article Modern Hieroglyphics (DW 6 August) promoted the graphical diversity of pictograms (or symbols, according to BS and ISO standards). I agree entirely that these devices exist to provide users with a ‘clear and unambiguous understanding’. However, I’m concerned that in striving for graphical interpretations of the same information, comprehensibility is often compromised. Bruno Maag says they must be ‘structurally recognisable and close to the established ...

  • Martin Cox sorely missed by friends and colleagues

    20th August 2009

    We have received the incredibly sad news that Martin Cox died on Monday 10 August, aged 42, at his family home in Slovakia. Martin was a kind, gentle man who was much loved by his family and friends and will be hugely missed. Martin worked as a designer at Williams & Phoa and Trickett & Webb before founding London graphics consultancy Blast in 1996, along with his friend and colleague Colin Gifford. He left Blast as a director in 2003, but continued to ...

  • A Banging good piece of work, but don't let kids near it

    13th August 2009

    I was saddened to hear the fate of Thomas Heatherwick’s iconic sculpture in Manchester, and feel sure the sculpture can be usefully recycled somehow. I think the spikes should be made into Baby B of the Bangs and sold as limited editions, to help cover Heatherwick’s out of court settlement to Manchester City Council. I’d love to own a bit of the Bang - but I’d keep small children very far away from it. Ali Johnson, Music and Dorothy, by e-mail

  • ...or a wake-up call for the UK design establishment?

    13th August 2009

    Regarding the Royal Society of Art’s Design & Society manifesto, there was no consultation ‘process’. The RDIs have been calling for a sympathetic exchange of ideas and expertise for some time, feeling, quite rightly, that many RDIs would have valuable input in matters like this that the RSA concerns itself with from time to time, without any question of resorting to ‘design by committee’. British design does need to project a position of strength, and it is precisely ...

  • Let's not forget those who served in the Infantry ranks

    13th August 2009

    I couldn’t resist the irony in the title ‘Say it straight’ after reading Anna Richardson’s feature (DW 23 July).

  • RDI criticism of the RSA - a case of fragile egos...

    13th August 2009

    Sorry, but your piece on the Royal Designers for Industry, and their criticism of the Royal Society of Arts’ Design & Society manifesto (News, DW 6 August) just sounds like some Very Important People claiming not to have been treated like Very Important People. Aw, bless. I can’t believe people such as Chris Wise and Mike Dempsey sat through a presentation and didn’t use the opportunity then to ask questions or make comments. Resorting instead to this ...

  • Acronyms are elitist - simplicity is key to communication

    06th August 2009

    A few months ago I decided to launch the Campaign for the Reduction of Acronym Proliferation. Realising what I had done, I vowed instead to use plain English for all my presentations and proposals. Let’s face it, everybody does it. The use of acronyms is a way of determining who is in the club and who isn’t. This is most apparent in the public sector. If you want proof, just log on to any Government website. But we, the design community, are just as guilty. As a communication ...

  • Bling is in our nature - there's life in luxury yet

    06th August 2009

    Clare Dowdy’s feature ‘Bye-bye bling’ (DW 16 July), which examines trends in luxury brands, looks at an interesting area but comes away with the wrong conclusion. It’s not really ‘Bye-bye bling’, but more like ‘See you later’. I think it’s a bit short-sighted to call the death of opulence and the ornate just yet. Whatever the climate, it will always be human nature to want to show off success, though the accessories may change from time to time. Having said that, ...

  • Britain is a small island, but who can cycle it in a day?

    06th August 2009

    I was mightily impressed to read that Peter Lyons planned to ride that new four-wheeled all-terrain bicycle from Land’s End to John O’Groats on19 July (News in Pictures, DW 16 July). His talents are obviously wasted lecturing in construction management with energy like that. Just for starters, a pedal-powered power station would earn him a fortune each week. Loz Farmer, Consultant, London SW12, by e-mail

  • If you're baffled by BS 8900, there's help to be had

    06th August 2009

    I read your article on jargon in BS 8900 with great interest (Comment, DW 16 July). It occurs to me that you might like to know that BSI publishes a handbook to accompany BS 8900, titled A Handbook for Sustainable Development. It demystifies the standard and places it in a real-world context, and it is available from our shop (http://www.bsigroup.com/en/shop). Gavin Williams, Commissioning editor, BSI, London W4

  • It seems that gay branding hasn't evolved that much

    30th July 2009

    I was intrigued by John Stones’ feature (Refining rainbows, DW 9 July), and Worldstudio’s reworking of the rainbow flag as a circular design. I was particularly struck by its uncanny resemblance to the logo - in use since 2005 - of the Consortium of Lesbian, Gay, Bisexual and Transgendered Voluntary and Community Organisations. Frances Gant, LGBT Consortium, by e-mail

  • Not even archiving can stop extinction - or I'll eat my words

    30th July 2009

    Last week you asked the question, ‘Where is the most incongruous place your work has been displayed?’ (Voxpop, DW 23 July), following the news that design products will hang from the rafters of Borough Market during London Design Festival in the Food With Thought event. Creating the world’s largest edible poster for a British Library exhibition was the most incongruous for us. The poster was about ancient words that have become extinct. It felt incongruous, but relevant, ...

  • Reconstructing limbs is surely extreme design

    30th July 2009

    My leg has been redesigned and reconstructed, courtesy of James Youngman at University College Hospital. I must stress that I am not into extreme body piercing or ultimate SM gear. The failing of my ankle is linked to a serious motorcycle accident when I was 18 years old. I was lucky - they saved my leg and within a year I was back at college. This was a life-changing time as I got to see first hand how some people really do suffer, but still progress with life in such positive ...

  • You can't claim monopoly on large vinyl numbers

    30th July 2009

    I write in reference to the letter titled ‘Don’t forget to credit your reference points’ from Morag Myerscough and Ian Cartlidge (DW 16 July). What incredible egos these designers have. Let’s face it, using large-scale vinyl numbers in Helvetica, or any other typeface, on coloured walls is hardly revolutionary and unique. I think Myerscough and Cartlidge have missed the point. What makes the Barbican signage (pictured below) exceptional is the fact that the numbers ...

  • Graduates, don't despair - online flair will land you a job

    23rd July 2009

    The survey released this week by the Association of Graduate Recruiters paints a gloomy picture for students leaving university this year, with the average number of graduates chasing one job rising to 48.

  • In or out? However you source your IT, beware

    23rd July 2009

    A recent report, published by PA Consulting, suggested that more than 30 per cent of companies plan to outsource more of their IT capabilities over the next year. This has been denounced as corporate cost-cutting. Many feel that such a move ‘out of house’ represents a loss of creativity and control, and will lead to a decline in internal knowledge bases. However, this misses the point entirely, particularly as it applies to small and creative businesses, where ...

  • Pierre Vermeir will be a great loss to design in the UK

    23rd July 2009

    Many years ago, when I was a designer at Brewer Jones, I interviewed a young designer from Belgium. His work spoke for itself. Although we weren’t recruiting, we took him on as the principals, John Brewer and Joe Jones, recognised an exceptional talent.

  • When you're over 50, every decade makes a difference

    23rd July 2009

    Reading your piece on the brand resistance of the elderly (News in Depth, DW 9 July), I wondered whether it isn’t about time we stratified the age bands of the over-50s? Grouping everyone older than 50 as one homogeneous market is short-sighted, to say the least. Age groups of ten years, somewhat similar to younger age bands, would be a start - for example, 50- to 60-year-olds, and so on, would reflect the very different thoughts and emotions of the over-50s. ...

  • Choosing a more creative approach to saving the planet

    16th July 2009

    Regarding Clive Grinyer’s article Making an impact, (DW 2 July), I agree with Clive, and a lot of others are saying exactly the same sort of thing.

  • Don't forget to credit your reference points

    16th July 2009

    We were astonished to see the Cardiff Central Library wayfinding project by Stills Design (Guiding touch, DW 25 June) and its striking resemblance to our Barbican Centre wayfinding system which won the Design Week Award for wayfinding in 2007. We were surprised that the similarity between the two projects wasn’t picked up. It is disappointing that the Cardiff scheme is receiving acclaim with no mention of the project that it undoubtedly attempts to replicate.

  • Time to design a rail franchise system that delivers quality

    16th July 2009

    The universal mobile phone charger is a welcome development and a real victory for common sense (Voxpop, DW 9 July).

  • Why it takes more than one idea to get your boat afloat

    16th July 2009

    I’d like to respond to Simon Taylor’s comment on my branding for Manchester Water Taxis (www.designweek.co.uk, 6 July), and his suggestions that this might be a first-thing-you-thought-of solution, and also that referencing New York cabs is not relevant to travelling by boat in Manchester.

  • Design education debate has much wider implications

    09th July 2009

    I read the story on your website relating to the Royal Society of Art’s call for a change in design education (www.designweek. co.uk, 25 June). I think this is a political concern, and can even be reduced to a left vs right debate.

  • JKR's new look for Trebor is like a breath of fresh air

    09th July 2009

    While not a huge fan of the new Trebor mark itself (www.designweek.co.uk, 30 June), this rejuvenation will ultimately be judged on if there is an increase in sales.

  • Keeping design at the heart of sustainability

    09th July 2009

    Although it’s great that there seems to be greater recognition of design consultancies’ role in driving sustainability (News in Depth, DW 18 June), I think the design industry still has a way to go before it loses its ‘airy fairy’ image in this area.

  • ...while this critic just doesn't see it in too-clever wordplay

    11 June 2009

    I read with interest your piece on Brand Catalyst’s identity for Keep Britain Tidy (www. designweek.co.uk, 1 June).Peter Shaw is quoted as saying the design makes the brand more flexible, but, try as I may to understand the visual reasoning behind it, all I can see is ‘Keep Brain Tidy’.Tabrez Ahmad, by e-mail 

  • Business-speak isn't just a shallow use of words

    11 June 2009

    The meaningless businessspeak John Simmons refers to (‘Verbal fuel’, DW 21 May) is a source of irritation because of the suspicion that it’s used to deliberately mystify the work of managers and mask inaction.

  • Cooling things down could make London a friendlier capital

    11 June 2009

    London Underground is crying out for air conditioning, and it would be a great opportunity to showcase design ingenuity.

  • Packard Bell's initial repositioning makes this reader see red...

    11 June 2009

    Where is the value with Packard Bell’s new identity (www.designweek.co.uk, 28 May)?

  • ...but go easy on adjectives to keep readers hooked

    04 June 2009

    David Bernstein, as ever, makes sense in his latest Private View (DW 21 May).

  • Do what many of the greats did - set up in recession

    04 June 2009

    Regarding your article ‘Dawton and Fitch advise graduates against going into business on their own’ (News, DW 14 May), before design graduates decide not to launch, they should be aware of the genesis of some of the most successful launches in adland.

  • The good old Copy Test should identify talent...

    04 June 2009

    David Bernstein’s view on the plight of today’s advertising copywriters (Private View, DW 21 May) was spot on, and raises interesting questions about the kind of writers the communications industry is recruiting. This is something the Institute of Practitioners in Advertising is seeking to address by reintroducing the advertising agency Copy Test.

  • Whole world or guilt-free? They're the new Green

    04 June 2009

    Any alternatives to the term ‘sustainability’ will be picked over and dismissed by many - it’s an issue that attracts widespread nit-picking (Voxpop, DW 28 May).

  • It's a shame that Nottingham can't promote local talent

    28 May 2009

    As a director of a Nottinghambased consultancy, I read with interest your article highlighting the work of the talented London-based Belgian graphic designer Sara De Bondt (Profile, DW 30 April).

  • Liam's f**kerning happy with Pretty Green logo

    28 May 2009

    As much as I like the Pretty Green identity for the fashion label from Manchester’s very own cantankerous front man, Liam Gallagher, I’m sure the designers who created it were pleased to make the 30 or 40 tweaks to what is essentially a one-colour logo design (News, DW 14 May). I can just imagine the calls between designer and client - ‘Yeah man, what I’m saying is kern that fucking ‘e’ in a bit, our kid!’

  • Sadly missed car brands? Don't forget the E-Type

    28 May 2009

    In the light of General Motors’ announcement that it is to ditch its iconic Pontiac car brand, a few weeks ago you asked, ‘Which now-defunct brand do you miss most, and why?’ (Voxpop, DW 7 May).

  • Don't blame the RP tools - use them well instead

    21 May 2009

    I was interested in the comments in Voxpop responding to Jonathan Ive’s assertion that rapid prototyping is distancing designers from the physical process of design (DW 30 April).

  • Let's regain some of the old-school spirit of invention

    21 May 2009

    I would like to second Jeremy Myerson’s view (Private View, DW 7 May) that the recession can be a real opportunity, not just for designers, but for everyone in brand development. Invention remains the daughter of necessity, and innovative businesses can turn adversity into advantage by confidently identifying new market opportunities and designing developing brands accordingly.

  • More top tips to get your new venture up and running

    21 May 2009

    I read with interest Suzanne Hinchliffe’s article ‘A leap of faith’ (DW 7 May).

  • A little less jargon is the best approach for brands

    14 May 2009

    How good it was to see Michael Wolff’s comments on design jargon last week (Letters, DW 30 April).

  • Creativity is about more than mastery of the Mac

    14 May 2009

    Ah yes, those were the days - Cow gum, Letraset, French curves, markers and ellipse guides. Paste-up artwork and putty rubbers. Hot-metal typesetting proofs, scamp visuals and studio banter.

  • Designers should be getting ready for the Mexican wave

    14 May 2009

    We designers are naturally optimistic folk, so most of us probably haven’t worried about swine flu yet.

  • When it comes to defunct marques, nothing beats Italian

    14 May 2009

    In the light of General Motors’ announcement that it is to ditch its iconic Pontiac car brand, last week’s you posed the question, ‘Which now-defunct brand do you miss most, and why?’ (Voxpop, DW 7 May).

  • The New Deal of the Mind couldn't be more timely

    23 April 2009

    Last week, you asked for suggestions in response to the request from the New Deal of the Mind coalition, soliciting proposals for potential job-creation strategies for the creative sector (Voxpop, DW 16 April).We at the Design Council welcome this coalition and stand ready to support it in any way we can. It amplifies the message that only through creativity and innovation will businesses and communities recover from the recession.It is also a reminder that now ...

  • University challenge is to support, not compete

    23 April 2009

    The British Design Innovation report ‘Delivering the Innovation Dream’ and your article ‘Facing the university challenge’ (DW 2 April) provide strident critiques of the perceived danger of universities undermining the commercial design industry.However, the report leaves out two aspects where universities might make significant contributions to a wider culture of innovation and the well-being of the design industry.One is that we stimulate opportunities for designers. ...

  • Ah, those were the days - cold hands and sticky footwear

    9 April 2009

    What a brilliant article by Michael Peters (A lost world, DW 26 March).I started out in graphic design in the early 1970s during the three-day week - no rubbish collection, fewer jobs - and carried on through the excesses of the 1980s and 1990s.Somewhere along the line, I worked in a cow shed where we defrosted our hands in the morning in front of a Super Ser.When the type came back from the typesetters, we had to be careful and ingenious with the ...

  • Branding should be about more than making a quick buck

    19 February 2009

    It’s hard not to agree with much of what Adrian Shaughnessy says about businesses thinking they can ‘brand’ their way to success.

  • There are no short cuts to a career in graphic design

    3 January 2008

    While for the most part I agree with Alan Herron’s comments (Letters, DW 6 December), I don’t care for his closing remarks - ‘On second thoughts, that’s about as much real teaching that a student on a full-time three-year course gets anyway’.Fine, Alan, have a pop at education. I don’t know where you studied graphics, but there ...

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