Spare Parts features a range of installations and exhibits that look at how we approach body part regeneration and organ transplantation, alongside the ethical issues around the subject.
The updated edition of a book published by Taschen features over 250 new images, with additions including photos of women of the Bauhaus and product design projects.
Mark Studio has taken a typographic approach inspired by volume faders found on DJs’ mixing equipment to create the new branding for not-for-profit group, Grooveschool.
The 10th instalment of the Irish design conference takes place this year, with speakers including Yuri Suzuki, Lance Wyman and Ariane Spanier taking to the stage.
Exhibits of featured projects, which include the National Cathedral of Ghana and the UK Holocaust Memorial and Learning Centre, delve into the context and narratives around the buildings.
Creative Concern has created a “strong” new visual identity, as well as a “flexible” website and “confident” tone of voice for the charity.
A coffee shop featuring a playful cartoon hamster, cars being designed using 3D virtual reality tools and a typeface that responds to the sound of your voice are some of
The late fashion designer’s story, influences and legacy feature in the new show, which has been split into 11 sections including a part looking at Dior’s links to Britain.
The retail giant has filed a patent for a new platform that would show people what combinations of different clothes look like without the need to physically wear them or
Gensler has designed the space in central London with the aim of encouraging “integration” between teams and highlighting the brand’s heritage.
As part of our series on design in 2019, Alex Moulton, chief creative officer at Trollbäck+Company, looks at what will happen in animation and motion graphic design over the next
The Seabin Project has installed receptacles in the capital to collect water-borne waste, such as shopping bags, cigarette butts and plastic bottles.
Have you been paying attention for the last four decades? Only one way to find out.
Design Week closes, having championed design excellence for the past 38 years.
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.
As part of our series on design in 2024, Studio Arc director Lyndsey Bowditch offers her view on what exhibition design might look like next year.
