Counter-Print’s new publication explores the process behind designing logos
Process: Visual Journeys in Graphic Design delves into the creative process at Swedish graphic design studio BankerWessel.
My latest articles
Interabang’s rebrand of StoneCrabs Theatre plays with the idea of colourful stage lighting
The brand’s new logo is inspired by the world of stage lighting, and nods playfully to the theatre company’s name.
Honey brand Quintu’s identity is inspired by the pollination process
The branding for the recently-established honey company hopes to avoid any cliché graphics of beehives and honey pots.
Monopo London crafts a cryptic identity for Yonex’s new badminton racquet
The identity aims to reflect the racquet’s distinctive nature, which has made it popular among the badminton community.
DutchScot creates a “timeless” new identity for Conran and Partners
At the heart of the architecture and interior design practice’s new identity is a monogram and a characterful typeface.
Fortum’s “self-rising” chair aims to promote the use of recycled plastics
The chair takes its name from runner Lasse Virén, who fell in the middle of the 10,000-metre final at the Olympics but managed to get back up and win gold.
Craig Oldham’s new book pays homage to cult classic The Shining
The Shining: A Visual and Cultural Haunting has been designed as a loveletter to Kubrick’s 1980 horror film, with design nods to its iconic imagery.
Magpie Studio leans on nature and science in its identity for Seed Library
The branding for the new East London bar draws on the world of science, lo-fi visuals, and rave posters.
Elmwood tackles “butt health” stigma for haemorrhoids treatment brand Preparation H
New branding work for Preparation H resists “cold” medical terminology and leans into the humorous side of treatment.
Stilride looks to “industrial origami” for new electric motorbike
The bike has been designed so that it has a low environmental impact, partly helped by its manufacturing process, which sees robots bend single steel sheets together to fabricate the
Tangent’s identity for a homelessness organisation embraces “warmth and vibrancy”
The Glasgow Alliance to End Homelessness brand aims to be informative and approachable rather than stark and hard hitting.
Latest articles
Design across five decades: from the editors who brought you Design Week
As the design industry propelled itself forward, we were always there to champion, inform, analyse and guide the way.
Design Week quiz: a look back through the ages
Have you been paying attention for the last four decades? Only one way to find out.
Design Week: 1986-2023
Design Week closes, having championed design excellence for the past 38 years.
What will retail and experience design look like in 2024?
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.