Territory Studio is behind the graphics for the 2017 sequel to cult classic film Blade Runner, originally released in 1982. At this year’s D&AD Festival, executive creative director David Sheldon-Hicks
In light of World Intellectual Property Day (WIPD) 2018, we ask designers and IP professionals their advice for graduates on how to protect their work from copyright infringement.
A new book from Phaidon takes a journey through time to explore the humble chair, from pieces by Ray and Charles Eames and the Bouroullec brothers to 16th century relics.
Creative director Jenny Theolin and studio Rehab have launched a new platform that will name design businesses which treat their junior employees well through “positive” reviews, rather than a “black-list”
D&AD has launched its eclectic branding for its annual festival and awards, taking place this week – we look at how it was co-designed by Hato and thousands of people
From a fully functional American diner through to Google’s unnerving house showing how technology has taken over our lives, we round up our favourites from this year’s Italian design festival.
Research conducted into the diversity of the creative industries shows the sector on the whole to be hard to access for ethnic minorities, women and those from low-income backgrounds.
Japanese designer Kosuke Takahashi talks about why he decided to create a new typeface that incorporates braille and letters to cater for both blind and sighted people.
The annual Lexus Design Award, part of Milan Design Week, sees four finalists create concepts that aim to tackle world issues such as pollution, waste and recycling. We look at
Research from the Office for National Statistics (ONS) shows that women in graphic design get paid 6% less than men, while female product and clothing designers get paid 18% less.
A new book from US-based graphic designer Bonnie Siegler looks to demystify the design process for clients and teach them how to communicate and work with creative people effectively.
Speaking at Offset Dublin, the design director of the New York Times Magazine talked about the merits of putting time and effort into print, why superimposing images in Photoshop is
Have you been paying attention for the last four decades? Only one way to find out.
Design Week closes, having championed design excellence for the past 38 years.
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.
As part of our series on design in 2024, Studio Arc director Lyndsey Bowditch offers her view on what exhibition design might look like next year.
