What will furniture design look like in 2023?
As part of our series on design in 2023, Cristiano Pigazzini, design manager and co-founder of Note design studio offers his view on furniture design over the next year.
As part of our series on design in 2023, Cristiano Pigazzini, design manager and co-founder of Note design studio offers his view on furniture design over the next year.
Creature London’s rebrand and campaign for the conservation charity aims to communicate the relevance of its mission to an expanded audience, putting it at the centre of its visual identity.
As part of our series on design in 2023, Thomas Matthews creative director Leah Harrison Bailey offers her view on social design over the next year.
Beat the January blues with these things to see and do this month, which include an exhibition on the history of the Adana printing press and the January Furniture Show.
As part of our series on design in 2023, Fraser Muggeridge offers his take on what he wants graphic design to look like this year.
A collaborative mentorship programme looks to give emerging designers the experience of a live client project, creating furniture for a sustainable office space.
As part of our series on design in 2023, Coley Porter Bell creative director Sam Stone shares what she predicts for packaging design this year.
We speak to Hingston Studio about designing a flexible and time-inspired visual identity for a touring exhibition that hopes to reach beyond the sport’s core fanbase.
A new “cradling heart” icon and expressive wordmark is combined with packaging design and messaging with the calm and clarity “of a paramedic standing next to you”.
Our most popular exhibition stories of 2022 spanned “the beautiful game”, a glass lift in Battersea Power Station’s chimney and the notion of “uncivic space”.
The exhibition tells the story of the near-extinct northern white rhino – with design by Gitta Gschwendtner – while questioning whether science and tech can preserve what is lost.
In 2022 designers stepped up to support people in Ukraine, studios sought B-Corp status and the design of the Elizabeth Line was finally revealed.