Mucho designs “evergreen” identity for Stern Grove Festival
The festival’s new eucalyptus-tree-inspired logo animates to become “a graphic equaliser device” that could play a role in live performances at future festivals.
The festival’s new eucalyptus-tree-inspired logo animates to become “a graphic equaliser device” that could play a role in live performances at future festivals.
Ripples on the recyclable glass bottle structure and the textured paper label seek to reflect the unique sand-filtration process used to make the vodka.
Curved lines run throughout the identity, including the joined-up lettering of the wordmark, representing the fact that there are “no straight lines in nature”.
The studio looked to add “playfulness” and warmth to the brand with a leading yellow hue and a personified tree, which is the face of customer interaction.
Designers will work on two to three major installations for an exhibition centred around space exploration which will be aimed at 8-14-year-olds.
We spoke to designers and the Design Business Association to examine the ongoing debate around creative pitching and discuss alternative paths to landing a job.
The first phase will ask designers about barriers to “realising positive impact” and will work towards generating a “co-created, purpose-driven future agenda” for design in the UK.
The Oncology Guide takes cues from medical journals and doctors notes while a bespoke logotype has been designed to show the human touch.
Designed by New Commercial Arts, its new identity features a simplified icon, refined wordmark, functional colour palette and illustrations that look to position it as a “dependable disrupter”.
From NB Studio’s new imprint Library Street is a new publication telling the life in branding of pioneering designer Michael Wolff.
A giant projection of a brewer’s head, an immersive 4D experience and hidden stories about historical brewers feature in the experience.
SomeOne has developed an identity for Oxford University’s 500-year-old constituent college Christ Church using a “one-of-a-kind, hand drawn and painted interpretation” of its crest.