Monochrome

Moses Lake Cellars branding, by Thirst Craft

Studio Thirst Craft has designed the branding and packaging for American wine brand Moses Lake Cellars. The design aims to imbue luxury, says lead designer Craig Black, but also uses typographic, brush-stroke lettering that is “bold and youthful”. The label is printed on a Spanish “luxury” paper stock, and incorporates a monochrome colour palette, alongside […]

Record Store Day 10th anniversary campaign, by Senan Lee and Pansy Aung

Designers Senan Lee and Pansy Aung have revealed that they were behind a campaign to celebrate the 10th birthday of Record Store Day. Record Store Day, which took place on 22 April this year, sees 200 independent record shops nationwide celebrating the beauty of vinyl, by opening their doors, offering special releases, and hosting performances and […]

Edwardidot, by Emily Richards

Last week, graphic designer Sarah Hyndman released her new activity book How to Draw Type and Influence People through Laurence King. It asks its readers to test their imaginations and their pen skills by thinking about the different personalities typefaces might have, along with how they might sound, taste, feel and smell. We spoke to […]

Nothing in the News, by Sideline

Design studio Sideline has revealed a new project called Nothing in the News, which features mock-ups of famous newspapers from all over the world with blank front pages. The project looks to combat our “24-hour” approach to news, where we are “bombarded with information in real time by every media outlet and platform competing for our […]

Daniel Buren Underground book, by TSOWC

The Studio of Williamson Curran (TSWOC) has designed a new book which documents the permanent installation at Tottenham Court Road Underground Station by French artist Daniel Buren. The London-based graphic design studio was commissioned by publisher Art/Books and Transport for London (TfL) initiative Art on the Underground to create the book. It has been edited […]

Klaws, by Mark Richardson

Superfried founder and designer Mark Richardson has revealed a personal typographic project called Klaws. The project is inspired by the graffiti that Richardson saw on a train one day while on his way into the Superfried studio in Manchester. The result is a series of numeral, angular typographic designs created by Richardson in three-dimensional modelling […]

English Heritage members’ handbook, by Carter Wong Design

Consultancy Carter Wong Design has designed the cover for the English Heritage members’ handbook for 2017/18, which has been inspired by Deal Castle in Kent. English Heritage is a charity that takes care of 400 historic places across the country. Members receive free entry and discount to listed sites, invites to events and a magazine […]

Newmor collection, by Newmor and Stephen Walter

Wallpaper company Newmor has worked with designer Stephen Walter on a new collection based on his intricate map illustrations. The collection is based on several of Walter’s artworks, including London Subterranea and Hub. The first geographically tracks the routes of old London rivers, sewers, the tube network and now-defunct tube stations, while the second depicts […]

Invisible Outlines, by Nendo

Japanese consultancy Nendo has designed a series of objects which aim to blur the lines of what can and cannot be perceived as physical objects. The collection looks at how outlines and borders enable people to subconsciously recognise objects, even if these outlines are not filled in. 16 collections were created, including “border table”, which presents […]

Grey London rebrand, by Valenstein & Fatt

Grey London has rebranded as Valenstein & Fatt and designed its new visual identity. The ad agency says it has decided to use the names of its Jewish founders as a statement of its “commitment to diversity and openness” amid the rise of right wing populism in politics. The new visual identity features a black […]

The Creative Circle identity, by Grey London

Ad agency Grey London has designed a new identity for advertising and marketing awards body, The Creative Circle. The identity is designed to be “anarchic” and “angry”, says Grey London, with a new annual featuring pre-torn and screwed up pages, defaced photos of The Creative Circle’s president and jurors and ink deliberately splashed over the […]

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