Vivid has designed the 1996 ChildLine annual review and accounts after winning the project in a six-way credentials pitch. Briefed to use archive photography, Vivid has attempted to create impact by using portraits of children, highlighting the eyes as the ‘window to the soul’. The brochure acts as one of ChildLine’s main fundraising tools – the helpline can still only answer 3000 of the 10 000 calls it receives each day.
The Guardian Media Group’s Sunday paper, The Observer, has launched a biannual, print design magazine, which looks to bridge the gap between consumer and specialist publications.
Online art shop RoomFifty has worked with studio Intoart, commissioning four disabled creatives to design prints that are being sold for £20 each.
Protests against climate change and ecological destruction are currently taking place across the world – we speak to graphic designer, Clive Russell, about how the eco group has used creativity
Samsung says its Space Monitor has been designed to address the customer desire for more deskspace by offering an elegant solution, which allows the product to blend into its environment.