It is true that most designers view the Court of Appeal decision in the Febreze/Airwick row with either anger, frustration or an air of depressed resignation (www.designweek.co.uk, 11 October). Many
I empathise with Michael Peters’ proposition for a system to differentiate those at the top of their game from the mediocre (Business Insight, DW 25 October). However, I don’t think
The UK could host a new creative conference, modelled on the now defunct World Creative Forum. What should the World Creative Economy Forum do differently to its predecessor to ensure
Steve Seamark’s letter on D&AD winners (DW 25 October) refers to ‘creative “ideas” being put forward by consultancies that have never actually seen the light of day’, and subsequently to
I collect these things. It all started with this 1930s Schuco 3000 Telesteering car. It has four gears, reverse and neutral, steering and a handbrake. It comes boxed with wooden
The recent AIGA conference provided many pointers to the future, and to the future of design conferences – D&AD, please take note, says Adrian Shaughnessy
Cynicism and professional confusion mean Poland still struggles to find a design voice. Will a new government help? asks Lynda Relph-Knight
Picture this: you are a young, affluent, feckless male. You wake up one Saturday, after an especially naughty night, to the thud of a package dropping on to your novelty
This week we welcome back an old friend with the renaming of global branding giant Enterprise IG as The Brand Union. The Brand Union was originally conceived by Glenn Tutssel
Martin Lambie-Nairn, Red Bee Media, S4C and Proud were among the channels, screen branding and digital media specialists honoured at the Promax UK Awards last weekend.
Rocket is to create an identity and website for the Electric Works, a new digital media centre in Sheffield.
Lise Vejse Klint has been re-elected as Secretary-general of Icograda, the International Council of Graphic Design Associations.
Have you been paying attention for the last four decades? Only one way to find out.
Design Week closes, having championed design excellence for the past 38 years.
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.
As part of our series on design in 2024, Studio Arc director Lyndsey Bowditch offers her view on what exhibition design might look like next year.
