The iconic Isokon Penguin Donkey, a 1930s free-standing bookshelf developed with the publisher, has been updated for the third time in its history by Shin and Tomoko Azumi. The original product was designed by Viennese architect Egon Riss in 1939, and reworked in 1963 by Ernest Race. Earlier this year, Chris McCourt, owner of Windmill Furniture, which produces Isokon furniture under licence, approached the Azumis to redesign the Donkey. The duo was briefed to design the piece in wood, but exact materials and colour were not stipulated, McCourt says. Donkey 3 is unveiled at 100% Design later this month.
This week the Hindu festival of colours takes place, which sees communities across the world throw powder over each other to mark the start of Spring and celebrate love, joy
Experts on branding (Jack Renwick), social design (Sophie Thomas), exhibition design (Lucienne Roberts) are joined by Ustwo design director Helen Fuchs, The Guardian’s digital director Ben Longden and many more.
Mantzaris, who will be speaking at Offset design festival in Dublin this April, tells us all about what goes into making films such as Wes Anderson’s Isle of Dogs and
The symbols representing different sports have been created by Japanese graphic designer Masaaki Hiromura, and aim to communicate with an international audience.