Melding nature and technology, Digit’s Typographic Tree, first seen at last year’s Institute of Contemporary Arts digital festival What Do You Want To Do With It, is to sprout at the Watermans gallery in Brentford next month. The installation, part of Digit’s ongoing Feed project, explores the dynamic relationship of input and output between people and computers. Users can control every aspect of the tree’s growth by speaking or singing into a mushroom-shaped microphone. The images twist with rising and falling tones, while louder voices cause sudden blooms. The design is on show from 15 January to 10 February 2003.
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The Parisian illustrator is well-known for her playfully proportioned women and colourful characters — but where does this style come from?
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.
We speak with Usha Raghavachari, director of D-Ford’s London innovation lab, about human-centred design, getting to know customers in forensic detail, and calling “babies” ugly.