Quiet zone
Sony’s collaboration with Edward Barber and Jay Osgerby for the Milan furniture fair opens today. Inspired by Sony’s new design concept ‘monolithic design’ – a minimalist style that uses only
Sony’s collaboration with Edward Barber and Jay Osgerby for the Milan furniture fair opens today. Inspired by Sony’s new design concept ‘monolithic design’ – a minimalist style that uses only
When you imagine the recycle aesthetic of Brazil’s Campana brothers, you wouldn’t naturally place them in a 19th-century, Rothschild-owned manor house in the Buckinghamshire countryside. But that’s where Humberto and
The General Election has put trust at the top of the agenda. Mac Cato considers how this elusive quality is central to branding success
As China’s economy continues to grow and its consumers become wealthier, indigenous companies are anxious to rival the global awareness of established Western marques. Sarah Woods looks at how businesses
Emphasis on typographic principles for online use is still lagging behind type in print, but as live Web fonts are becoming a reality, digital designers are increasingly addressing these issues
The work of this veteran restaurant designer can be sampled in major cities across the globe, and in 2010 he is returning to London to create venues for two Michelin-starred
Webb & Webb has created a new look for the Harry Potter books. What is your favourite children’s book, and why?
In response to Philip Ainley’s letter regarding young talent (DW 8 April), I couldn’t agree more. I took on a graduate a few years ago. Technically he is good, he
I am puzzled about why you are giving such prominence to the changes in Central Office of Information design procurement procedures (News, DW 1 April), yet ignoring the far larger
If my consultancy were to bring in a new non-executive director from outside of the industry (Voxpop, DW 11 February), I would like them to challenge and contribute to our
I think that Simon Manchipp (Insight, DW 1 April) had better have a rethink about his ideas before he continues to evangelise on calling a halt on the logo, or
A £3.50 return ticket for a seven-minute train ride to oblivion, the end of the world’s longest pleasure pier, tons of Victorian iron jutting out into a muddy estuary, where