Quentin Newark started his career in design by choosing the typefaces for novels at book publisher Faber & Faber. Moving to Pentagram in 1985, he spent five years sharpening Alan Fletcher’s pencil. He makes up a quarter of London consultancy Atelier Works. He is also busy writing his first book about design.
For years those living with dyslexia have faced the stigma attached to their condition, but research from Cambridge University suggests the learning disorder can make creative-led professions like design more
The database aims to be the world’s biggest resource of climate crisis posters.
Much of the work at this year’s event is underpinned by sustainability, with designs from the likes of Mexico, the UAE and Scandinavia all being featured for their eco-friendly credentials.
MarinaTex, an organic and biodegradable alternative to traditional plastic, was developed by University of Sussex student Lucy Hughes.