CR&M Turnbull and Asser
Calver Roots & Madge has been appointed to create the visual communications for gentleman’s tailor Turnbull & Asser, in a six-figure brand-development programme that may take up to three years
Calver Roots & Madge has been appointed to create the visual communications for gentleman’s tailor Turnbull & Asser, in a six-figure brand-development programme that may take up to three years
Coley Porter Bell has overhauled the brand identity of the Museum of London, creating the venue’s first rebranding for around ten years.The new system is a radical departure from the
Draught Associates has been commissioned to undertake an identity overhaul of The Poetry Society on a pro bono contract worth £7000 following a five-way creative pitch.The charity hopes to mark
It is heartening for some of us to know that 20 August was a landmark day in the UK. The number of pensioners in the country overtook the number of
Inspired by Alan Aldridge’s illustration and cover art exhibition at the Design Museum, we asked four designers to nominate their favourite album covers. What they chose says much about how
The mobile phone camera has turned civilians into war photographers – and taken us right into the heart of conflicts. Sarah Frater looks at some of the work created by
Leeds-based consultancy Brahm has created a new identity for fashion and documentary photographer Sean Knott.
A dynamic mix of disciplines is central to everything the United Visual Artists team does – whether it’s concert tours or museum installations. Anna Richardson talks to two of its
I was depressed to read Marc Phelps trotting out the old cliches about poor creativity from in-house teams (Letters, DW 2 October). I’m sure the guys at Apple will be
Bands on tour inhabit a different realm. They travel from gig to gig, working by night and sleeping by day, and occupying only the insides of theatres, pubs and hotel
Surviving two recessions has taught Mike Dempsey a valuable lesson: you don’t have to be in the mainstream to enjoy life as a designer
An epidemic of corporate belt-tightening spells the end of the purely aesthetic office refurb. Trish Lorenz looks at the implications for those consultancies specialising in commercial interiors and workspace design