Rocks to you
Version two of MetaTools’ Bryce 2 from Kai Krause will be available at the end of the month. Users of this 3D landscape and terrain generator are promised exceptional pleasures
Briefs
Friday 19 April Still time to catch After The flood, a photography exhibition by students at the Royal College of Art. Until 24 April.
Brief
Mark Bond, project manager at Sebastian Conran Product Identity Design, targeted ‘the quite young but not overly young’ market with a new set of merchandise for Cyberia Internet cafés.
Restaurateur targets Paris
Restaurant mogul Oliver Peyton hopes to open “more than one” new restaurant in London in early 1997 and is “discussing” design plans with Australian interior designer Marc Newson. Peyton is
Virgin surveys 50m rail option
Design will be considered “this summer” for a 50m rail service between Heathrow airport and the City of London planned by Richard Branson’s Virgin Group. “We’re still looking at the
Business Links take on London members
More members of Design Links London – the support group for design counsellors appointed by the capital’s Business Links – are being appointed. Coley Porter Bell chairman Colin Porter, Design
And Mac colour
Apple promises two inkjets – the Color StyleWriter 1500 for less than 300 and the 2500 at around 360 with water-resistant ink. Probably out soonish.
Alcopops’ get guidelines
The Portman Group unveiled its code of practice on the naming, packaging and promotion of alcoholic soft drinks yesterday. See News Analysis, page 8.
New age of prohibition follows fermentation
There’s little evidence to suggest that under-age drinkers are buying “alcopops”, so is The Portman Group’s code of practice for its packaging really necessary? Clare Dowdy reports
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Design Week closes, having championed design excellence for the past 38 years.
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As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.
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As part of our series on design in 2024, Studio Arc director Lyndsey Bowditch offers her view on what exhibition design might look like next year.
