Inspiration? Manchester, white wine, the madness of India, Tracy Emin, travelling by train, Paul Madonna, limited-edition Coca-Cola bottles, stylebubble.typepad.com, late nights, Liberty department store, swimming outdoors, Jeff Koons, London at dawn, Vogue in my postbox, weird fonts, the grime of the East End, sitting on the floor in a bookshop, Vyner Street, crossing the Thames, the Sunday Times Style Magazine, Barbara Kruger, The Turner Prize, peeling layers of paint, supermarket shopping, Song Que Vietnamese, blogs, Pixar, reclamation shops, map reading, friends, Jane Eyre, competition, the highest numbers in a Pantone book, early 1990s House, Frieze Art Fair, Channel 4 idents, Thom Yorke, a fantastic bit of copy, Olympic achievements, my MacBook Pro, the calm of John Lewis stores, Rough Trade, Sarah Lucas, live music, Ren Cosmetics, Mark Titchner, New York, the top of a mountain, Chris Cunningham, a child’s opinion, stopping and watching, Him, Photoshop filters, my Oyster card, Sir John Soane’s Museum, being surprised, collaboration, camping in the rain, models on a catwalk, Spike Jonze’s Where the Wild Things Are, the pressure of a deadline. Like this one.
Sweden-based studio Snask has created the identity for Axfood’s #Mat2030 campaign, which features a series of fresh food items arranged into different words.
Last week, publisher Oxford University Press Education was given a new look by Baxter and Bailey. Now, designers share some of their favourite examples of educational design.
F1’s logo, designed by Wieden + Kennedy last year, could face a copyright dispute because of its similarity to that of a compression tights brand owned by manufacturing giant 3M.
The games company’s Labo kit features flat-pack cardboard sheets that can be transformed into pianos, motorbikes and fishing rods when combined with the Nintendo Switch console.