Philip-Lorca diCorcia is showing his series Heads, which has been exhibited at the Gagosian Gallery on London’s Heddon Street. It consists of a kind of surveillance project, in which the photographer concealed flashguns in scaffolding in New York’s Times Square, from where images were taken of passers-by with one person under the spotlight, elevating them to a strange kind of anonymous stardom. These are the ‘heads’ of which the title speaks: ordinary people, blown up to extraordinary proportions and raising moral questions of their own – should he have alerted the subjects to his intentions? It would be difficult to see what objections these unwitting subjects could raise, but it is certainly odd to see them thus elevated, monumental yet unknown.
Announced at this year’s Adobe Max conference, designers and illustrators will be able to use the image editing and design software on a touchscreen device in 2019.
Adobe’s latest piece of software enables designers, illustrators and artists to create lifelike oil and watercolour paintings on-screen using their stylus as a paintbrush, and also allows them to delete
Familiar symbols of music production such as play, pause and fast-forward were used alongside photographs of current students to create an “active” look.
The galleries in Great Missenden explore the life of the children’s author, who lived in the village – an inspiration for many stories – for 36 years.