A real-life version of Tele-Cine’s chameleon logo starred in the design of the company’s new brochure and postcards. Blueprint Design wanted to incorporate the identity of the post-production house into sales material, and brought a live chameleon into the studio. The lizard was then photographed as it changed colour against various backgrounds. The postcard images symbolise Tele-Cine’s areas of work, says Blueprint creative director Mike Axford.
This week the Royal Mail began trialing a new postbox, heralding the first major design change in its 160-year history, prompting us to look at how it has developed.
We speak to Kelly Mackenzie, founding director at White Bear Studio, about new initiative SHAPE, how hard it is to break into the industry without connections, and the need to
AGL works with high-profile people such as Kate Middleton and David Cameron to boost their public-speaking and communication skills – its new identity looks to celebrate the beauty of grammar
The app, which allows users to write notes on a smartphone or computer in many different forms, has been given a refined visual identity focused on an updated elephant symbol,