Encompassing more then 70 years and 700 Penguin cover designs, Seven Hundred Penguins is a pictorial history of the iconic British publishing house since its conception in 1935. From the bold graphic print of Graham Greene’s classic The Quiet American to the disturbing Surrealism of John Updike’s A Month of Sundays, there is something that everyone will remember. ‘These books have travelled our lives with us, like a repository of memories,’ says Jim Stoddart, art director for Penguin Press. ‘And who is to say that this is not the most effective and important criterion for the design of a book cover?’ It is published next month.
Production company Noah Media Group is behind the opening titles, animations and on-screen graphics for this year’s World Cup – we speak to art director Kim Teddy about how traditional
London-based consultancy LoveGunn has created a series of type-based posters inspired by 20th century Russian Futurism and Constructivism for this year’s World Cup.
The WC2018 predictor lives as a website and Instagram feed, displaying a number up to 100 for each country that indicates how well it’s likely to perform in the tournament.
Glasgow-based studio Tangent has created the campaign imagery for this year’s Edinburgh International Book Festival.