Paper White keyed in
Software and IT company Logica has appointed Paper White to come up with a design strategy for its marketing literature for the next two years. The London group has been
Software and IT company Logica has appointed Paper White to come up with a design strategy for its marketing literature for the next two years. The London group has been
Friday 28 June Visit Artbound – an exhibition which looks at the art form of the book. It includes handmade works such as pop-ups, embroidery and computer prints.
London design consultancy Metropolis 88 is launching a new venture to extend, manage, source and distribute brands. One aim of Evolution Brand Development is to identify extension opportunities for existing
A Scottish graphic designer confided the other day that the reason his countrymen face so many free pitches is that Scottish clients follow that nation’s trait for wanting something for
Clues are dribbling out about the Natural History Museum’s Earth Galleries project, due to be unveiled on 20 July. As are images – such as this Cyclops sculpture by Michael
The University of East Anglia is claiming to be the first university ever to use a hologram on a prospectus. Its 1997 prospectus cover is designed by UEA graphic design
I have been reading with interest various reports in the past few issues of Design Week on the Department of Trade and Industry’s North America Now/Gateway project selling UK services
WPP Group chief executive Martin Sorrell is among the 13 captains of industry who are founder members of the Centre for Tomorrow’s Company, set up following the Royal Society for
The CSD chose wisely when it named committee expert Nick Jenkins as its president, but where will he take it? Michael Johnson met up with him. Michael Johnson is design
BY blue peach FOR glasgow international festival of design ’96. Designed by Blue Peach Glasgow Photography by Paul Hampton The Picture House Paper Supplied by Paralux
Design in Action’s head of brand identity Trevor Bradford has resigned from the group. Bradford’s departure follows the redundancies of creative director Mark Chittenden and director of planning David Gray
The Royal College of Art degree show is obviously an exercise in self-promotion for its graduates, but sometimes it’s hard for visitors to get beyond the visual. Liz Farelly explores