Ragged Edge, DixonBaxi and Altogether discuss the highs and lows of designing in lockdown, what has worked — and what hasn’t.
As part of our series looking at in-house design teams, we speak to Penguin Creative creative director Tim Lane about keeping the publisher looking and feeling relevant.
We ask three food illustrators working in editorial, branding and television about their inspirations, styles and the recipe for good work.
A total of 30 book cover designs for The Night Manager, A Short History of Nearly Everything and Goodnight Mister Tom have been unveiled.
To celebrate ten years since the blockbuster BBC adaptation of the fictional detective, Royal Mail has released a range of Sherlock-themed stamps.
Big Motive has launched the country’s app in the hope of slowing the spread of coronavirus, incorporating “nudges” and a community focus.
Graduate season is in full swing now, so we’ve rounded up our favourite projects from the most recently opened online showcases.
As part of our series looking at in-house design teams, we talk to a graphic designer at the Royal Mint about designing new coins, Paddington Bear and the value of
Hamish Smyth and Jesse Reed are developing a new online platform that will help designers to create guidelines and clients to follow them properly.
The ball design looks to tell a positive mental health narrative through its “fluid, organic graphic” which represents the “flow state”.
Kengo Kuma and Toyo Ito are among the 16 designers and architects to have produced work for an exhibition that explores the “relationship between dogs and their people”.
The branding for Critics’ Club – which places students from underrepresented backgrounds on art criticism courses – looks to appeal to this younger audience.