This frame from the new title sequence for BBC2’s The Natural World says as much about the complexity of image manipulation and broadcasting technology as it does about the infinite variety of nature. Designed by Sarah Grigg and Andrew Hunter at BBC Network Graphic Design in Bristol, the sequence combines more than 30 images taken from the BBC’s Natural History Unit library and artificially panned using Henry and Flame. More than 40 layers were composited together by editors Tom McKerrow and Pete Smith at SVC to form a seamless panoramic view through the natural world. The titles get their first broadcast on Sunday.
Trademarks have been logged for the brand name Internacional Club De Futbol and an associated club crest.
Independent family brewer Badger has undergone a brand redesign, shifting the focus on to their local heritage, with the help of BrandOpus design agency. Founded in 1777, the brewery owned by
This week the Royal Mail began trialing a new postbox, heralding the first major design change in its 160-year history, prompting us to look at how it has developed.
We speak to Kelly Mackenzie, founding director at White Bear Studio, about new initiative SHAPE, how hard it is to break into the industry without connections, and the need to