Imagery always figures large in football graphics, but that’s no reason to make it clichÃ©d action shots of players. For the Observer Sports Magazine’s World Cup guide cover, art director Gary Phillips commissioned a Simon Henwood portrait of David Beckham because, as Phillips says, ‘it was classy and very different. Difference being the most difficult thing to do in a newspaper’. The When Saturday Comes wallchart too goes for tongue-in-cheek, Japanese-themed illustrations by Dave Robinson featuring Godzilla, Sumo wrestlers and pagodas, alongside witty text likening stadia to a particularly nasty verruca or a bidet. Cheeseman explains it thus: ‘Illustration can communicate immediately that something is obviously critical, satirical or frankly rather immature. With the chart, we used [Robinson’s] illustrations to make it stand out and maybe raise a wry smile.’ Cheeseman will be supporting Senegal, Phillips will be supporting Italy. See, it’s all about difference.
The visual system created by SomeOne is based on movement patterns of birds gliding on thermal columns, which allow them to travel long distances with ease.
As part of our series on design in 2019, Rosy Greenlees OBE, executive director of the Crafts Council, looks at what will happen in furniture design over the next 12
Etienne Bardelli has created the graphics for a Chevrolet Impala and Volkswagen camper van, which move around the vast country collecting local people’s experiences to be shared online.
As part of our series on design in 2019, Katie Cadwallader, senior designer at Supple Studio, looks at what will happen in packaging design over the next 12 months.