Last week saw the closing credits run for design’s answer to The Italian Job when south London’s Cope & Glory handed over more than 4000 to charities from their re-creation of the cult British film. Cope & Glory’s Ian Nuttall and friends re-enacted the Mini Cooper-borne caper so faithfully it’s hard to know if this picture is an original film still or a holiday snap. Nuttall says: ‘We were amazed when we found the location they’d used on the film. It’s a military museum and the curator just looked at the cars and started smiling. It turned out he started his job the week they filmed there back in 1967.’ The boys even blagged their way to the rooftop test track of the old Fiat factory in Turin which also featured the film.
Aero, which will launch in 2019, is intended to be used alongside existing programs like Photoshop and Dimension, to help designers visualise virtual graphics and products in real-world environments.
The app works across mobile, tablet and desktop and is intended for those who are video-editing beginners but want to create “professional” content for social media.
The exhibition, which has opened at the SVA Gallery in New York, uses graphic art by illustrators and cartoonists to explore some of the most controversial and polarising issues of
Announced at this year’s Adobe Max conference, designers and illustrators will be able to use the image editing and design software on a touchscreen device in 2019.