Taking the De Stijl art movement as its cue and adapting an original font from the 1920s, Kemistry’s overhaul of Dutch national broadcaster Publieke Omroep goes live tomorrow across its three terrestrial channels. The scheme is a major design investment by the client and the first time its output has shown a ‘common front’ with a single integrated identity (DW 5 June 2003). Ident sequences for each strand reflect their distinctive characteristics. ‘Human interactions’ are glimpsed in the ‘people-oriented’ Nederlands 1 (pictured); the mass market/family-focused Nederlands 2 is presented by a series of ‘split-screen transformations’ and the eclectic Nederlands 3 is rendered in an ‘abstract, pixellated’ style.
Familiar symbols of music production such as play, pause and fast-forward were used alongside photographs of current students to create an “active” look.
The galleries in Great Missenden explore the life of the children’s author, who lived in the village – an inspiration for many stories – for 36 years.
The Nottinghamshire forest best known for its association with make-believe rogue and hero Robin Hood has had a revamp, with a new visitor centre, branding and wayfinding centred around environment
The Wild lets users design spaces and share their vision “in real time”, which the company claims can help bridge the gap between ideas and reality