Chocolatier Cocoa Jones reveals culturally diverse branding
The packaging and identity of the new luxury chocolate brand features a mix of colourful patterns to represent the Pakistani and Nigerian heritage of its two founders.
The packaging and identity of the new luxury chocolate brand features a mix of colourful patterns to represent the Pakistani and Nigerian heritage of its two founders.
The weekly publication given out by street vendors in cities all over the world has a new design that looks to showcase all the magazine has to offer, while still
The new identity embraces the isolated region and its “harsh weather” as it urges people to explore further, spreading the message through open-source branding which is free for locals to
The country, which is located across the Asia-Europe boundary, has a new identity designed by Landor that aims to attract more tourists to discover its “untold stories and secrets”, from
Can Marketing Save Lives? at the Museum of Brands demonstrates how attitudes have shifted alongside the campaigns designed to change and moderate people’s behaviour
The organisation, which lobbies to get more women into design leadership roles, has been based in London for the last three years, but has now also opened branches in Liverpool
The Pears Building is a new research centre for immunology and will open in London in two years – 70-metre-long, colourful, graphic hoardings have been installed around the building site
The kits, which let kids transform any every-day object into unique toys, aim to make play more accessible for children from disadvantaged backgrounds around the world, and encourage individual creativity.
Mike Foster, creative director at studio Straight Forward Design, talks about his experiences designing for femcare range Betty, and offers his advice on how to break the silence and challenge
The scheme, which was initially started by HRH Duke of Edinburgh Prince Philip in 1956 as a way to prepare young people for life and work, has a new awareness
The new name Apt comes as the company moves to an employee ownership structure and aims to reflect the firm’s new ethos and purpose.
Wyn Jones, creative director at Design Reality, wants an official stamp of approval for product and industrial design courses to be introduced in the form of an accreditation badge, to