442 Design creates interiors for Guilty
Edinburgh consultancy 442 Design has created the interiors of women’s fashion store Guilty, which opens in the city’s Drumsheugh Place next week. The interiors of thee store offer a ‘rich
In the round
John Stones previews an exhibition of past and present work by creative publisher Circle Press
Graphic language for ‘Ideas’ conference
Wechsler Ross & Portet has created a concept and graphic language for Morgan Stanley Investment Management’s ‘Ideas’ conference in Berlin.
Ardill looks for a new experience
Ralph Ardill, former marketing and strategic planning director at Imagination, is to launch a London-based ‘experiential consulting venture’ this summer, following his departure from the company at the end of
Sign credits should also point in Thirteen’s direction
Regarding Pamela Buxton’s article ‘Clean slate’ (DW 21 April), I would agree wholeheartedly with Sam Gullam’s point that ‘people get confused with what’s branding and what’s information’.
Fieldwork Design completes concession in Selfridges
Buckinghamshire design group Fieldwork Design has completed a concession in Selfridges, London for French skincare brand Decléor.
Tetsuo takes on Kurosawa
Artist and former lawyer Keisuke Kishi may be the quintessential face of the modern East, but judging by his work, he lives in a world that spans centuries. Looking back
Break from the norm
There they were: the complete picture of misery. Saturday morning in Milan, and an aspiring English architect type (shaved head, wire-framed specs, black fatigues) is marching his bedraggled wife and
Graphics project for Battersea Dogs Home
Studio McLoughlin has completed a graphics project for Battersea Dogs Home that will be used as a poster design and direct mail campaign. The photography is by Los Angeles-based Deborah
Spinning in virtuous circles
Jeremy Sice reveals his all-encompassing strategy for running a design consultancy: make long term goals and try not to stretch yourself too thin.
Light fingers
John Stones takes in the bright lights of Euroluce and garners the differing views of two designers on what was going on at the fair
When another company swallows you up
Your piece on identity crises (DW 21 April) was extremely misleading. The new brand we created with Abbey was working well: research showed it had the best stand-out in the
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