National roll-out for £20m business support scheme
Plans to boost UK business through the use of design and creativity will be kick-started by a £20m national programme for small- to medium-sized enterprises, unveiled by the Design Council
Plans to boost UK business through the use of design and creativity will be kick-started by a £20m national programme for small- to medium-sized enterprises, unveiled by the Design Council
A design industry working group has been set up to explore the needs of dyslexia sufferers from a visual communications perspective. At the first meeting, held last week by 35
Mothercare has made sweeping changes to its in-house design team, streamlining the department under a single head of design, Felicity Wade. Until now, Mothercare’s in-house team has been run by
I’ve just been flicking through some of our old copies of Design Week to find out what inspires previous contributors. As you might expect, it turns out we design types
N1 Creative has rejuvenated the branding and packaging for premium health supplement range Udo’s Choice. It is the first time the brand has made a major design change in the
Environmental Studies is a photography show taking Brighton as its subject, featuring work by Adrian Talbot, a partner at Intro, and Peter Gates, a freelance designer. It is being held
In the passing of Alan Fletcher, Britain lost one of its most inspiring designers. Mike Dempsey and others pay tribute to the brilliant mind
Next has denied that it is reviewing its design consultancy relationships. A spokeswoman for the retailer says the group is not looking to build a roster, but confirms it is
The Greater London Authority’s Design for London architecture and urbanism unit has appointed Peter Bishop, former Camden Council director of culture and environment, as its first director. He will take
European photography has often struggled to get the recognition it deserves. Ed Barber previews a Barbican exhibition that seeks to provide the first overview of this field, tempering familiar greats
same ‘high-quality standards’ of the content of the publications to the visual identity of the company and its products. ‘We attach great importance to the contents of books and journals
Business loves branding – but by working within corporate constraints, design is in danger of losing its diversity and vision, says Adrian Shaughnessy At some point during the 1990s, every