News in pictures
Thomas Heatherwick has transformed the entrance to Guy’s & St Thomas’ Hospital in London, as part of a £2m project to improve the area. Heatherwick’s first commission for the NHS,
Thomas Heatherwick has transformed the entrance to Guy’s & St Thomas’ Hospital in London, as part of a £2m project to improve the area. Heatherwick’s first commission for the NHS,
The scale and scope of the London Design Festival means you need to steer a well-planned route through the mammoth event that covers every discipline as well as multiple sites
Obvious colours and predictable shapes have long dominated design for children, says Pamela Buxton, but recent research, the subject of a London Design Festival conference, finds that there’s no sound
Procter & Gamble is throwing open its doors to UK design consultancies in its biggest ever search for new product ideas.
Brandhouse client services director Liz Wilson is to leave the consultancy to join advertising agency Albion in the same role. The consultancy has no plans to recruit a replacement. After
Corporate Edge’s acquisition by Photon Group UK, part of Australian specialist marketing services group Photon Group, marks the first purchase of a branding consultancy by the UK arm of the
The Victoria & Albert Museum’s autumn exhibition, The Golden Age of Couture: Paris and London 1947-1957 opens this week, created by Land Design Studio.
If printmaking seems to be always about work, work, work, then why not call a halt for a moment and consider its myriad possibilities as a thread of artistic practice?
Martin Nixon always assumed that his design business was environmentally right on, but an audit revealed that his carbon footprint was much bigger than he thought
I recently noticed an article on page 3 of Design Week (DW 16 August) about De-construct rebuilding the Crafts Council website. I couldn’t help but notice that the new Crafts
I’d like to sound a note of caution to all graduates – after the interview, get used to being left in the dark, for there seems to be a lack
Much as I enjoyed Quentin Newark’s critique of the 26 posters project (DW 6 September), he is missing the point. We weren’t ‘encouraged to take a site as [our] starting