Stuart Shave/Modern Art
Scottish gallery Stuart Shave/Modern Art will open a new gallery and offices on Eastcastle Street, London W1, on 24 April. It is designed by architect David Kohn.
Scottish gallery Stuart Shave/Modern Art will open a new gallery and offices on Eastcastle Street, London W1, on 24 April. It is designed by architect David Kohn.
Turner Prize-winning artist Mark Titchner has created the latest reinterpretation of Channel 4’s giant 3D identity, outside its Horseferry Road headquarters in London SW1. The idea for the structure, which
The Learning & Skills Council has named the architects that will masterplan higher education building projects in the UK over the next five years.
The Design Council is anticipating a number of industry benefits from the Office for National Statistics’ reclassification of design. It is hoped that the reclassification will allow more data to
Music and sound design company Radium launches this week with a brand identity designed by Elmwood. The consultancy has taken Radium’s signature ‘R’ and restyled it using the idea of
The events design group behind last year’s Star Wars exhibition at County Hall in London’s Westminster will next week launch what it hopes will be the UK’s leading movie museum
Greig & Stephenson, the architect that worked on London’s Borough Market, has transformed a 740m2 Bermondsey warehouse into a coffee roasting storeroom, office and training venue for Monmouth Coffee Company.
Lighting designer Jason Bruges is collaborating with Make Architects to create a façade for an office building on London’s Baker Street. The so-called ‘art-façade’ consists of a series of steel
UK design and engineering company Reaction Engines has hit the headlines this week with proposals for Lapcat, a hypersonic plane that could fly to Australia from Europe in less than
However you look at it, the contract publishing sector is in rude health. As other brand channels furiously jostle for position and advertising in an uncertain and rapidly evolving media
Web strategies used to be a real headache for glossy magazine publishers agonising over cannibalisation and revenue models. Oliver Bennett finds a complementary approach to the integration of on- and
There’s plenty going on in the world of art direction at the moment. Yolanda Zappaterra meets up with three stars on the editorial design circuit, whose bold titles are making