‘My example for a piece of type in context is for the Ahoy entertainment complex in Rotterdam, produced in 1970 by Dutch designer Benno Wissing. This is an exemplary piece of typography as it crosses the boundary between logotype and implementation. All elements such as signage and literature use the same letter forms as the logotype, creating a completely homogenous identity. The bespoke typeface created by Wissing consists of interlocking lozenges that transcend the Data 70 syndrome of so many custom typefaces of that era. In combination with the architecture, Wissing has created an utterly modern environment that is still relevant today. If only the Dome could have shared the same attitude.’
Announced at this year’s Adobe Max conference, designers and illustrators will be able to use the image editing and design software on a touchscreen device in 2019.
Adobe’s latest piece of software enables designers, illustrators and artists to create lifelike oil and watercolour paintings on-screen using their stylus as a paintbrush, and also allows them to delete
Familiar symbols of music production such as play, pause and fast-forward were used alongside photographs of current students to create an “active” look.
The galleries in Great Missenden explore the life of the children’s author, who lived in the village – an inspiration for many stories – for 36 years.