As Phaidon releases a new book featuring over 300 Soviet products and other designs dating from the 1950s, we speak to Moscow Design Museum founder and director Alexandra Sankova about
The company’s new identity sees a black and white colour palette, and words that are “hidden” within the branding to reflect the nature of its work.
Zag has created a new logo and design system for the online retailer, based on the brand proposition “for the home obsessed”.
Jambo! is aiming to “raise the profile” of African cuisine in London, and has developed a colourful identity based around a speech bubble symbol.
Following the online forum being given a new look by its in-house design team, we speak to Diego Perez about what they were trying to achieve with the redesign, and
As the designer releases his new book featuring honest advice for students and graduates trying to break into the industry, he explains why portfolios aren’t the be all and end
Kids can use “Wollos” to understand the value of money in the Pigzbe world, which has been designed by a team including Jon Marshall and branded by Studio.Build.
Abbott Miller has led the brand refresh, which sees an updated “blue box” logo that aims to work across both print and digital.
Salary Finance has been given a new look by Ragged Edge, featuring a “smiling” logo and a “warm” colour palette of pink and blue.
The museum’s Capital Design event this month will see its Acton, West London depot open to the public for a series of transport design-inspired talks, tours and displays.
As the design industry propelled itself forward, we were always there to champion, inform, analyse and guide the way.
Have you been paying attention for the last four decades? Only one way to find out.
Design Week closes, having championed design excellence for the past 38 years.
As part of our series on design in 2024, WeWantMore creative director Ruud Belmans offers his view on what retail and experience design might look like next year.