At the Design Council’s fringe debate on British identity, held in Brighton, debate chairman and editor of The Independent Andrew Marr told us how our identity is really formed. It has nothing to do with design and everything to do with films, he says, with The Full Monty and Trainspotting proving particularly influential. “Britain is that country full of little people who rip their clothes off, take heroin and have a great time,” said Marr, quoting his New York correspondent.
Sweden-based studio Snask has created the identity for Axfood’s #Mat2030 campaign, which features a series of fresh food items arranged into different words.
Last week, publisher Oxford University Press Education was given a new look by Baxter and Bailey. Now, designers share some of their favourite examples of educational design.
F1’s logo, designed by Wieden + Kennedy last year, could face a copyright dispute because of its similarity to that of a compression tights brand owned by manufacturing giant 3M.
The games company’s Labo kit features flat-pack cardboard sheets that can be transformed into pianos, motorbikes and fishing rods when combined with the Nintendo Switch console.