British artist Wolfgang Buttress has won the competition to create the UK pavilion at the Milan Expo in 2015 with a design inspired by ‘the unique role of the honeybee’.
Afroditi Krassa Studio has designed the interiors for the new flagship Curzon cinema in Victoria, London, basing the concept on Bauhaus and Modernist styles and classic cinema iconography.
The Design Business Association’s John Scarrott wrote a piece for us this week looking at how design businesses can work out what to charge clients.
The sweetness of ice-cream and the idiosyncratic approach of director Jim Jarmusch may feel like disparate things, but the two have been brought together for a new group photography exhibition, I Scream Factory.
Consultancy Fuseproject has created a new identity for payment service PayPal.
Studio Formafantasma’s new series of designs is inspired by the ‘culture of lava’ in the regions around the Mount Etna and Stromboli volcanoes in Sicily.
Supple Studio’s Jamie Ellul on why it’s important to keep a sense of fun in design work.
MoreySmith has designed the new London headquarters for Coca-Cola.
Bloom has helped wine brand Blossom Hill reposition by designing new labeling which communicates the traits of its ‘good, better and best’ ranges.
Coley Porter Bell has redesigned the packaging for Olmeca Tequila, aiming to better reflect the brand’s Mexican heritage.
Publisher Laurence King has taken a bold illustrative visual approach in its new art history series This Is, which begins with monographs on Warhol, Dali, and Pollock.
Exhibition designer Mark Magidson looks at the structural flaws that have taken the creativity out of exhibition design.