Jony Ive designs King Charles III’s flora-inspired coronation emblem
The emblem is informed by the King’s affiliation with nature and includes a depiction of St Edward’s crown made up of flora from each of the nations of the United
LDF could lose “global audience” without trade shows
As 100% Design (now Design London) migrates from London Design Festival to Clerkenwell Design Week, former LDF deputy director William Knight reflects on whether LDF will still be able to
How forgotten patents can inspire future design
Design-led thinktank Atelier 21 on “exhuming” forgotten voices for a people-powered, low-tech design future.
Amazon dimple takes the lead in Prime Video’s new identity
Brand assets have been overhauled by Pentagram in a bid to add movement to the brand, which has been animated through a new suite of motion graphics.
Blendsmiths’ new identity is “not for everyone”
For the alternative hot drinks brand, Creative Spark chose a packaging typeface that contrasts with the wordmark and colours designed to clash and stand out.
A potato-based bottle that you can eat, compost or dissolve
Tomorrow Machine has developed a bottle that can be peeled like a fruit, is water resistant and dissolvable, and has a similar lifespan to its contents.
Burberry reverts to its roots under new creative officer Daniel Lee
Bucking the trend for simplicity and sans-serifs, the fashion label’s new chief creative officer looked to its archives for an intricate equestrian logo and distinctive serif wordmark.
PM drops “Digital” and makes MP Lucy Frazer secretary of Culture, Media and Sport
The mini cabinet reshuffle saw the implementation of four new government departments, including one dedicated to technology and innovation.
“I’m conscious of screwing up the views”: Barbara Stauffacher Solomon on new work
As the supergraphics pioneer reveals her latest typographic work in St. Moritz, we discuss the rights and wrongs of supergraphics and public art with those involved.
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