This week, the contentious announcement came that Brexiteer James Dyson is planning to move his company headquarters from Wiltshire to Singapore to “future-proof” the company, while Sony is also relocating
We speak to New York-based Pentagram partner Bierut about creating a more “consistent” identity for collaborative working tool Slack, retaining the “playfulness” of its beloved hashtag, and why the
Scanners that could eliminate the need to remove coats or shoes and machines that could mean we leave liquids in our bags were just some of the designs on display
The rebrand by Blast Design is centred around a logo with ligature-inspired lettering and a graphic device made of joined-up lines, to express the idea of “bringing people together”.
As part of our series on design in 2019, Sebastian Conran, founder of his self-named studio, looks at what will happen in product design over the next 12 months.
Entries are open for the all new Design Week Awards, which includes new categories and in June a different kind of party to celebrate the winners.
Centaur’s marketing and communications division has been repositioned as XEIM, a name derived from “eXcellence in marketing”, which XEIM helps its customers achieve.
Tech company Envisics has used augmented reality and holograms to create a new way of showing drivers which way to go, with directions displayed on the roads in front of
As part of our series on design in 2019, Chris Clarke, deputy creative director at The Guardian, looks at what will happen in print design over the next 12 months.
The visual system created by SomeOne is based on movement patterns of birds gliding on thermal columns, which allow them to travel long distances with ease.
As part of our series on design in 2019, Rosy Greenlees OBE, executive director of the Crafts Council, looks at what will happen in furniture design over the next 12
Etienne Bardelli has created the graphics for a Chevrolet Impala and Volkswagen camper van, which move around the vast country collecting local people’s experiences to be shared online.
As part of our series on design in 2019, Katie Cadwallader, senior designer at Supple Studio, looks at what will happen in packaging design over the next 12 months.
The three-day design festival’s campaign for this year has been designed by Village Green and focuses on an eclectic range of colourful shapes rather than the pencil icon best associated
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The collaborative working tool, used by employees to chat and share projects, has a new “simplified” logo with a smaller colour palette, that does away with the brand’s characteristic slanted
Music has created a new look that aims to unify the brand, using a monochrome colour palette and a bracket framing device derived from the existing logo that lets imagery
As part of our series on design in 2019, Miraphora Mina, co-founder at design studio MinaLima, looks at what will happen in graphic design over the next 12 months.
Michael Johnson discusses whether the new branding, which drops the Mastercard name and keeps only its two red and yellow circles, will work better online or simply turn out to
The Pentagram partner created the identities of both Fantastic Beasts films, as well as the overarching brand for the Wizarding World, which encompasses the Harry Potter and Fantastic Beasts franchises.
A highlight of the retail concept is a “trial space” resembling a basketball court, which features the brand’s manifesto in Arabic.
As part of our series on design in 2019, Clotilde Passalacqua, interior design leader at Ikea UK and Ireland, looks at what will happen in interior design over the next
Amid a tough retail climate and increasing competition from online stores, we look at how bricks-and-mortar shops are finding new ways to entice customers.
Ann Crabtree, Alice Rawsthorn, David Droga and John Pawson are among the international speakers at this year’s Design Indaba festival, which takes place next month in South Africa.
The founder of Reboot Innovation, a creative studio dedicated to sustainability, argues that designers should not be focusing solely on recyclable packaging but instead on systems that encourage the public
As part of our series on design in 2019, Ali Hanan, founder and CEO at Creative Equals, looks at what effect politics may have on design over the next 12
Cardiff University is working with charity the Bill and Melinda Gates Foundation to design and mass-produce “affordable” contraception for developing countries, consisting of a self-administered hormone patch that lasts for
Manchester-based studio Superfried has given the new conservation initiative for orangutans, rhinos, elephants and tigers an identity that reflects the species it is trying to protect.
The 28-year-old channel has a new look co-created by an in-house team and US-based studio Loyalkaspar, which aims to show off the brand’s range of “comedic voices” and content.
As part of our series on design in 2019, Pernilla Ohrstedt, founder at her self-named studio, looks at what will happen in exhibition design over the next 12 months.
Yoke has created new branding, a website, print and digital materials for the membership body as part of a “co-creative” process with the organisation’s staff and members.
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