In a statement to the commons the chancellor has announced the successor to the furlough scheme, as he urged listeners to “learn to live without fear”.
Omse has designed an identity for the East London church to flex across its many functions, from place of worship to gig venue and brewery.
The Danish design innovation lab has collaborated with several studios to create a typographic identity that is as “neutral as possible”.
The newly-established partnership hopes to create more aesthetically-pleasing solutions to COVID wayfinding in working, retail and even domestic spaces.
Design outfit Studio Texture has led the redesign, keeping the previous Pentagram-designed logo but introducing new colours, typography and tone of voice.
This free-to-access report by Design Week in partnership with Framer is the first global survey commissioned to investigate the benefits and effectiveness of digital prototyping.
The crowdsourced contributions will form an immersive sound installation at the UK Pavilion at next year’s exposition in the UAE.
The 14th edition of the competition saw more than 2,000 entries from students designing covers for The Night Manager, A Short History of Nearly Everything and Goodnight Mister Tom.
Elmwood New York has updated the beer brand’s identity in an attempt to reach a younger and more “progressive” generation.
Seismic, a collaborative construction project funded via Innovate UK, looks to speed up the process and reduce the costs of school building.
The studio’s Renew concept aims to create phones that are “upgradable” rather than replaceable, which could have financial and environmental benefits.
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The Parisian illustrator is well-known for her playfully proportioned women and colourful characters — but where does this style come from?
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.
Explore Design Week
We speak with Usha Raghavachari, director of D-Ford’s London innovation lab, about human-centred design, getting to know customers in forensic detail, and calling “babies” ugly.
The Italian car company has revealed a new symbol, range of badges and wordmark as part of a “contemporary” restyling of the brand.
The top national prize for the UK has been awarded to a solution that aims to reduce the amount of microplastic air pollution caused by car tyres.
We speak to a principal Samsung designer to find out how the company is using advancements in tech to create “meaningful” changes in consumers’ lives.
The Dromos vehicle will transport passengers and freight on a closed-loop system via a 24/7 demand service in urban areas.
With the government’s Making Tax Digital initiative on the horizon, tax expert Mike Parkes talks us through his top advice for newly self-employed creatives.
The designer, retailer and restaurateur behind some of Britain’s best-loved and far-reaching designs has died at the age of 88.
Designers have been paying tribute to the late designer, who was responsible for creating and popularising many of the home comforts we’ve come to love.
As London Design Festival gears up to open tomorrow, we sat down with its director to chat about obstacles, giving designers a stage and breathing life back into the city.
Host Emily Calandrelli talks diversity in science TV, experiments and why arts and science are inextricably linked.
Two of this year’s top prizes were design awards, including the first ever Black Pencil for a typography entry from a London-based foundry.
A design solution from consultancy Seymourpowell hopes to combine the best of office life and working from home after the pandemic.
Following a sleek crest redesign and a recent move to a brand new stadium, the West London club now has an updated look from Thisaway studio.
Ascend Studio has branded a Cambridge-based biotech company which hopes to reduce waste in the food production industry.
The “untraditional” new look, created by its in-house design team, includes bigger page dimensions, updated Pantones and “unapologetic” typography.
As the festival returns to the capital in both online and offline forms, Design Weeks picks the best of the line-up from talks to year-long installations.
- Most commented
- Most commented
- Museums Association’s visual update balances heritage and activism
- Revolutionary car tyre named as James Dyson Award UK winner 2020
- Maserati reveals new logo to launch “modern” era
- Samsung’s design drive to “make new technology relevant”
- “It’s not a fluffy bubble full of concepts”: Inside Ford’s Innovation Lab