We look back at the life of American graphic designer Milton Glaser, famed for his I ♥ NY campaign work and Bob Dylan poster.
The latest news, analysis and opinion on visual identities, rebrands and logo design, from sports brands to start-up tech companies.
The product designer found wild success with ride-on children’s suitcases and is now delving deeper into his career – and its challenges – in a new book.
Headline-grabbing rebrands of Uncle Ben’s and Aunt Jemima show change in brand-land, but a real overhaul requires sustained effort from the design world.
New York design studio ThoughtMatter is behind the updated look, with creative director Ben Greengrass having devised the original identity back in 2005.
The Class of 2020 has had an unprecedented end to their university careers but the work from this year’s grad shows impresses all the same – here’s our favourites so
The new look has been led by Design Studio, and includes a revised colour palette, new graphic devices, an updated tone of voice and motion principles.
Yale, which sells a range of digital security products as well as traditional locks, needed a coherent global brand that balanced heritage and modernity.
The identity, which will be in place for the next three years, has been developed to “represent a range of countries and cultures, without resorting to cliché”.
Last month’s NASA-SpaceX mission was the most-watched online broadcast NASA has ever tracked – but how do you go about creative direction for a commercial rocket launch?
Harry Pearce has designed a new visual identity for the London department store, including a typeface named for the shop’s founder.
The project, which includes updates to the logo, visual identity, packaging and touchpoints, is the first ever global masterbrand for the 151-year-old company.
Roope has set up Reset Sessions with Hanisha Kotecha, a “pop-up consultancy” which aims to help brands adapt to crises and beyond.
Mammoth has created the identity for the tournament, the first world cup to feature men’s, women’s and wheelchair versions of the sport at the same time.
Some 129 Pencils have been awarded in this first stage, across the competition’s Impact, Side Hustle, Next and Craft categories.
The fresh look for the cider brand comes complete with a bespoke typeface, redrawn wordmark, updated packaging and rethought brand communications.
We’re excited to announce the full shortlist for our awards below. Stay tuned later in the month for our winners showcase, which will be revealed here on the site as
Led by the team at Popp Studio, the lingerie brand’s new look features a redrawn logo and wordmark, as well as a rethought colour palette and packaging.
The studio’s branding aims to demonstrate visually how the data consultancy can sort out and clarify relevant data for its clients.
As race protests spark throughout the world, we look at the role of graphic design and why the movement must ultimately “not stop with an image”.
Lantern studio has given Zero Gravity a geometric new look, which seeks to highlight students’ hidden potential when applying to university.
From pub-scented candles, to Polaroid chemistry and a weekly cartoon strip inspired by the bubonic plague, this is what designers got up to last month.
Design studio SomeOne has designed the visual identity for Ocean Saver, a cleaning product that uses dissolvable pods to avoid waste.
As part of our series profiling country’s design industries, we look at Finland’s well-established design scene, and hear from the designers trying to find a new design language.
Design Week caught up with Studio Output creative director Johanna Drewe and Resn creative director Simon Jullien to find out.