Studio partner Marina Willer has reimagined a 1970s logo for the film magazine’s new look, which launches with four cover stars.
News, interviews and features on all things editorial including book and magazine launches, book cover design and editorial rebrands.
From a playful zine, to a “tribal” title sequence and “tongue-in-cheek” wine brand, these are the design projects that caught our eye in July.
Spotlighting marginalised women designers, “heads on” design solutions to environmental issues and more – these are the anticipated design books we think you should read.
The new Munich-based design magazine hopes to make a case for print through a playful use of typography, graphics and materials.
The Japanese graphic designer, known for his record sleeve work and art direction for Cut magazine, talks to Design Week as he launches his new book.
The new issue of LogoArchive zine explores branding design in Renaissance Europe and makes the case for its influence on mid-century modernist designers.
The annual competition invites students to redesign the cover of three well-known books across adult fiction, adult non-fiction and children’s literature.
We’re excited to announce the full Awards shortlist below. Stay tuned later in the month for our Winners Showcase, which will be revealed on the site as part of a
The intricacies of creative projects often pose access challenges for those who struggle to read – how can designers reconcile creativity with accessibility?
Peter Blake: Collage incorporates around 30 typefaces – many bespoke or customised – in an attempt to create a playful approach to the artist’s work.
The online publication will explore a range of issues through a unique typographic system that aligns subject matter with specific fonts.
From swimming tigers, to “more-than-human” forests, these projects from the likes of Matt Willey, Kate Moross, Superflux and Mucho are our favourites of the month.
You now have an extra three weeks to get your entries over before the deadline on 1 April and find out everything you need to know here.
Some of our favourite projects from the month included a cinematic identity for the Glasgow film festival and an interactive literary journal.
The platform is using cultural exploits like photography, film, illustration and music to “elevate women’s sport and carve out more space for female voices”.
The start of a new year brought us an identity for a Covid-adapted restaurant, calligraphic coffee branding and a new series of lockdown posters.
This year winning work will be given a bigger platform than ever before, we are assembling our biggest ever judging panel and categories have been tweaked for maximum relevance.
Another month spent in lockdown had some designers yearning for nightclubs and events gone by, while others are revisiting old projects or pushing new boundaries.
The new twice-annual journal of film and visual culture takes some aesthetic cues from academia, while flipping others completely, according to its designer.
Eddie Opara and his team have created a typographic identity for the New York-based liberal journal and its accompanying website.
The Barcelona-born graphic designer and his “playful” editorial portfolio is the subject of a new Counter-Print book.
The illustrator-turned-writer is self-publishing his new book, which features 21 illustrated stories inspired by everyday objects found on British streets.
The former Penguin in-house designer talks typographic tips, avoiding apologetic design and why authors care so much about how their books look today.
Designers have a pop-up garden, a deep dive into British logos, the Beazley Designs of the Year exhibition and more to see them into the autumn months.