
Morag Myerscough looks to inspire sustainability engagement on Oxford Street
Myerscough hopes the piece will encourage shoppers and businesses to engage positively with the topic of sustainability.
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Myerscough hopes the piece will encourage shoppers and businesses to engage positively with the topic of sustainability.
The new branding by Baxter & Bailey features a flexible ampersand symbol in an effort to help the brand speak to different audiences.
Recycling symbols used on packaging in the UK are unclear and inconsistent argues Butterfly Cannon’s innovation and sustainability manager Jenny Greenwood, who is looking to Denmark for inspiration.
The project has a contract value of £50,000 to £100,000 and will include the design of a brand toolkit, visual toolkit and assets.
Our picks this month feature an antique book shop in Paris and a candle-lit restaurant in Copenhagen.
Nothing’s design director Adam Bates discusses the company’s ambitions, managing teams across China and Sweden.
All the latest moves and changes across the design industry.
This year’s LDF programme at the V&A explores the “transformative and regenerative” power of design.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
The multifunctional EdgeSlick tool has a dual-comb head for styling and a paddle-like handle for scooping up product.
Stencil illustrations from 70-year-old public domain images aim to give Metaphor a “1950s scifi” feel.
This month’s round up is summer holiday-focussed, featuring events and workshops for both designers and their children.
The aircraft uses an X-wing configuration like a drone and is intended to be used to travel across urban areas.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
The new branding references the industrial roots of the institutions new home.
A new positioning has been created around luxury lifestyle as the brand looks to branch out from its automotive origins.
Studio Output hoped to inject “an element of fun” into Cuckoo’s new look, setting it apart from other broadband companies.
The Intellectual Property Office is reviewing the UK’s IP system so we asked designers about their own experiences in accessing and using it.
As well as making the brand more recognisable on the shelf, the tea company’s new colour palette and illustrations aim to appeal to a younger audience.
Big Fish founder Perry Haydn-Taylor on how a formative pitch experience led him to always seek accreditation for any design work.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
New findings from the Design Economy report highlight the importance of digital design and a continuing lack of diversity within the industry.
For its first major update in almost 20 years, the marque’s creative team collaborated with the British graphic designer.
Uncommon CX has collaborated with the blockchain-based payment app on a brand launch, which will feature a daily changing logo.
Interabang attempts to distinguish this set from previous stamp collections through “abstract illustrations” and “shards of colour”.
A quirky canal house in Amsterdam and a luxury travel experience feature in this month’s interior design picks.
As part of our coverage of 2022’s graduate season, we’re spotlighting graduates from around the UK to find out about their work, practice and future plans.
This year’s awards champion social design projects that aim to tackle specific environmental and community issues.
Prince Rupert’s Tower has been drawn from the crest to work alongside it as an “anchor for the new design system”.
Bulletproof studio added bright hues of colour to Toblerone’s visual identity as well as a bespoke, archive-inspired typeface.