Kahleen Crawford Casting has worked with a wide range of directors, with recent highlights including I Hate Suzie and His Dark Materials.
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As part of our series exploring countries’ design cultures, we look at how the island nation’s close-knit community is intent on challenging tradition.
As Vauxhall becomes the latest car brand to reveal a flat logo, designers discuss why so many marques are opting for pared-back identities.
Weir was in the role for three and a half year and tells Design Week that she hopes her successor will not be one of the “usual suspects”.
Cert. is a recently-launched direct-to-consumer product that uses dissolvable tablets to create an at-home disinfectant and detergent.
Omse has designed an identity for the East London church to flex across its many functions, from place of worship to gig venue and brewery.
The newly-established partnership hopes to create more aesthetically-pleasing solutions to COVID wayfinding in working, retail and even domestic spaces.
The crowdsourced contributions will form an immersive sound installation at the UK Pavilion at next year’s exposition in the UAE.
Elmwood New York has updated the beer brand’s identity in an attempt to reach a younger and more “progressive” generation.
The studio’s Renew concept aims to create phones that are “upgradable” rather than replaceable, which could have financial and environmental benefits.
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.