The south coast of England, with its crumbling white cliffs, is both a bulwark against foreign influence and a symbol of the anxiety behind British isolationism. Birling Gap, for instance, is falling into the sea, offering a dramatic metaphor of decline and a stark formal landscape of sea, sky and stone. The landscape is endlessly pictorial. Southam’s photographs are taken with a large-format camera and are highly finished and monumental. At first glance, they fall into the heroic landscape tradition of Ansel Adams. Yet look further and you see that Southam chooses landfalls, rivulets and other emblems of unfixed landscapes, setting up a sense of danger and change at odds with the size and authority of his photographs. His message is less about recording the picturesque or dramatic landscape, and more about capturing nature’s constant metamorphosis.
This year’s exhibition features a wheelchair that can climb stairs, a language-translating earpiece and a brand identity for Wales.
A new fundraising book features contributions from Manchester creatives including Peter Saville and Malcolm Garrett, which have been inspired by Tony Walsh’s poem This is the Place.
As Design Manchester celebrates its fifth birthday, we pick out our top exhibitions to catch at the festival, including a tribute to the book covers of Mancunian literary legend Anthony
Atlas has created the branding for the new fashion label, which will also be contributed to by other industrial and product designers.