The south coast of England, with its crumbling white cliffs, is both a bulwark against foreign influence and a symbol of the anxiety behind British isolationism. Birling Gap, for instance, is falling into the sea, offering a dramatic metaphor of decline and a stark formal landscape of sea, sky and stone. The landscape is endlessly pictorial. Southam’s photographs are taken with a large-format camera and are highly finished and monumental. At first glance, they fall into the heroic landscape tradition of Ansel Adams. Yet look further and you see that Southam chooses landfalls, rivulets and other emblems of unfixed landscapes, setting up a sense of danger and change at odds with the size and authority of his photographs. His message is less about recording the picturesque or dramatic landscape, and more about capturing nature’s constant metamorphosis.
As we approach the most wonderful time of the year, we ask creative directors what gift someone should buy a designer for Christmas.
The digital design consultancy has appointed a new head, who will oversee its six global offices and lead on growing the business in size and helping it make more money.
Send us photos of your offices decorated for Christmas, and we’ll be publishing a selection of the best ones next week.
A report on the potential impact of plain food and drink packaging, Pantone’s purple hued colour of the year and Mini’s new, monochrome logo – the news from the last