The south coast of England, with its crumbling white cliffs, is both a bulwark against foreign influence and a symbol of the anxiety behind British isolationism. Birling Gap, for instance, is falling into the sea, offering a dramatic metaphor of decline and a stark formal landscape of sea, sky and stone. The landscape is endlessly pictorial. Southam’s photographs are taken with a large-format camera and are highly finished and monumental. At first glance, they fall into the heroic landscape tradition of Ansel Adams. Yet look further and you see that Southam chooses landfalls, rivulets and other emblems of unfixed landscapes, setting up a sense of danger and change at odds with the size and authority of his photographs. His message is less about recording the picturesque or dramatic landscape, and more about capturing nature’s constant metamorphosis.
New research suggests that while businesses value the importance of design, they are less willing to involve creatives at board level. Looking at the benefits of creative decision-making, Mat
The Leeds-based restaurant has been given a new visual identity by Dutchscot, which plays on the theme of “togetherness” by combining traditional motifs from Yorkshire and Japan.
This week is national Refugee Week, a seven-day series of art, film, music and theatre events celebrating the contributions of refugees to the UK. We mark the
The publisher’s annual awards saw 2,100 design students submit book cover interpretations for Animal Farm, A Brief History of Time and Noughts & Crosses — a judging panel has whittled