Kahleen Crawford Casting has worked with a wide range of directors, with recent highlights including I Hate Suzie and His Dark Materials.
The latest graphics projects spanning logo design, animation and print, along with interviews with up-and-coming and established graphic designers.
As part of our series exploring countries’ design cultures, we look at how the island nation’s close-knit community is intent on challenging tradition.
Alongside a custom typeface, the new look for the online electrical retailer also includes a rethought colour palette, and a redrawn smile logo.
Omse has designed an identity for the East London church to flex across its many functions, from place of worship to gig venue and brewery.
Design outfit Studio Texture has led the redesign, keeping the previous Pentagram-designed logo but introducing new colours, typography and tone of voice.
The newly-established partnership hopes to create more aesthetically-pleasing solutions to COVID wayfinding in working, retail and even domestic spaces.
The 14th edition of the competition saw more than 2,000 entries from students designing covers for The Night Manager, A Short History of Nearly Everything and Goodnight Mister Tom.
Elmwood New York has updated the beer brand’s identity in an attempt to reach a younger and more “progressive” generation.
Seismic, a collaborative construction project funded via Innovate UK, looks to speed up the process and reduce the costs of school building.
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The Parisian illustrator is well-known for her playfully proportioned women and colourful characters — but where does this style come from?
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.
Two of this year’s top prizes were design awards, including the first ever Black Pencil for a typography entry from a London-based foundry.
A new book from Phaidon charts the history of flowers as a medium for creativity, from the frescoes of antiquity to the product designers of today.
Following a sleek crest redesign and a recent move to a brand new stadium, the West London club now has an updated look from Thisaway studio.
Ascend Studio has branded a Cambridge-based biotech company which hopes to reduce waste in the food production industry.
The “untraditional” new look, created by its in-house design team, includes bigger page dimensions, updated Pantones and “unapologetic” typography.
Creative studio Truant has designed a mark which aims to unify the efforts of councils and retailers to get consumers recycling their electronic products.
This year’s event will be going ahead with some significant changes in the face of the pandemic — here’s all the information you’ll need.
Urbancoolab has designed an AI programme that has studied and replicated the style of the late Jean-Michel Basquiat, but what this could mean for the future of creativity?
Es Devlin, Paula Scher and Neri Oxman are among the line up for this year’s Global Design Forum, with panels, discussions and workshops taking place online.
Branding for the games has been designed to encompass and represent the multitude of different identities found in the Californian city, according to organisers.
From exhibitions to books, there’s plenty going on this month for designers, their kids (and even their dogs) to catch.
We take a look at the kits for the postponed Euro 2020 tournament and speak to Nike about the inspiration behind this year’s designs.