
Custom drinks company ELIQS takes “show not tell” branding approach
Its new look is designed to be more legible and coincides with relaunched website, which aims to be more intuitive.
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The latest graphics projects spanning logo design, animation and print, along with interviews with up-and-coming and established graphic designers.
Its new look is designed to be more legible and coincides with relaunched website, which aims to be more intuitive.
Myerscough hopes the piece will encourage shoppers and businesses to engage positively with the topic of sustainability.
The new branding by Baxter & Bailey features a flexible ampersand symbol in an effort to help the brand speak to different audiences.
This year’s LDF programme at the V&A explores the “transformative and regenerative” power of design.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
Stencil illustrations from 70-year-old public domain images aim to give Metaphor a “1950s scifi” feel.
The new branding references the industrial roots of the institutions new home.
A new positioning has been created around luxury lifestyle as the brand looks to branch out from its automotive origins.
Studio Output hoped to inject “an element of fun” into Cuckoo’s new look, setting it apart from other broadband companies.
As part of our coverage of 2022’s graduate season, we’re talking with a selection of graduates from around the UK about their work, practice and future plans.
For its first major update in almost 20 years, the marque’s creative team collaborated with the British graphic designer.
Uncommon CX has collaborated with the blockchain-based payment app on a brand launch, which will feature a daily changing logo.
As gardening booms in popularity with a new generation, design studios are tapping into interior trends and heritage to reach new enthusiasts.
Interabang attempts to distinguish this set from previous stamp collections through “abstract illustrations” and “shards of colour”.
This year’s awards champion social design projects that aim to tackle specific environmental and community issues.
Prince Rupert’s Tower has been drawn from the crest to work alongside it as an “anchor for the new design system”.
Its legacy as “the world’s most fashionable football club” is reflected in the new 2022-23 kit collection.
From a series of hip-hop stamps to recycled mezcal packaging, take a look at recent highlights from the world of design.
All three gold-winning projects in this year’s awards are rebrands of companies that were in economic decline.
A podcast series on designing for impact and a networking event for designers are among this month’s highlights.
The new branding centres upon a dynamic R logo, which intends to evoke the “gestural quality of a dancer in motion”.
The UK-based social organisation has a new name, five-year strategy plan and “dynamic, moving identity” system.
Alongside an animated video, the stamps aim to incorporate “vivid” colour and “lo-fi-style” typography.
Wolff Olins global CEO Sairah Ashman discusses the design process, backlash and legacy of the London 2012 Olympics brand on its tenth anniversary.