Design’s heavyweights will take the witness stand next week when Addison challenges Wolff Olins’ use of a goldfish in its identity for the British Gas Goldfish service. Allegedly similar to Addison’s own image by Michael Wolff, the goldfish has spawned a test case on design plagiarism, set to run at the Royal Courts of Justice, The Strand, London WC2 from 10.30am on Monday, 20 January, for five to seven days.
The campaigning organisation, which comprises over 10,000 members, needed an identity that would align it in the modern cultural landscape.
The Parisian illustrator is well-known for her playfully proportioned women and colourful characters — but where does this style come from?
The app has been given a new visual identity in an attempt let customers order food and drink while maintaining social distancing.
We speak with Usha Raghavachari, director of D-Ford’s London innovation lab, about human-centred design, getting to know customers in forensic detail, and calling “babies” ugly.