For many designers of my generation, my introduction to graphic design was presented through vinyl record sleeve artwork – and namely hip hop releases. From early Cey Adams and Haze creations for Def Jam records, through to Ben Drury’s inspiring artwork and packaging for Mo Wax, I was always inspired by the 12” x 12” medium for art that the cover provided.
Production company Noah Media Group is behind the opening titles, animations and on-screen graphics for this year’s World Cup – we speak to art director Kim Teddy about how traditional
London-based consultancy LoveGunn has created a series of type-based posters inspired by 20th century Russian Futurism and Constructivism for this year’s World Cup.
The WC2018 predictor lives as a website and Instagram feed, displaying a number up to 100 for each country that indicates how well it’s likely to perform in the tournament.
Glasgow-based studio Tangent has created the campaign imagery for this year’s Edinburgh International Book Festival.