Mark Dean does not have the monopoly on using recycled classic film footage as the raw material for video works. Graham Ellard and Stephen Johnstone have created an equilibrium-knocking, eyeball-zapping beast of a video in their 1999 work, Wall of Death. This is an installation with a vengeance, where the viewer walks into the inside of a large open-topped cylinder which simulates the inside of a fairground wall of death set-up. But, once inside, instead of being orbited by twitchy high-torque, low-revving Indian drag-bikes centrifugally stuck to the walls, the viewer is surrounded by a screen around which a video projection from two rotating cameras shows high-speed car chases between a selection of American coupÃ©s and roadsters. These are grabbed from a selection of Hollywood classics such as Bullitt. Here, however, we witness a wild-goose chase, as cars from different movies chase each other without the remotest chance of catching or being caught. Watching this spectacle is an enervating experience, as visually exhausting as the real thing would be mentally exhausting.
A set of six stamps have been released to mark the 250th birthday of the Royal Academy of the Arts, and have been designed by renowned artists.
Earth is a kit made up of a model globe and smartphone app that uses augmented reality and artificial intelligence to teach people about the history of the world.
The design studio has created an abstract logo of a bridge reflected on water to represent the charity, which looks to protect and maintain England and Wales’ waterways.
A show at the Lettering Arts Centre in Suffolk will delve into the art of alphabets, tracing the history of communication design from ancient symbols to the sophisticated systems we