On the subject of tat, we’ve just spent our lunch hour perusing Caroline Archer’s book on the typography of tart cards, published by Mark Batty and available from all good bookshops – especially that one with the curtains in Soho’s Brewer Street. According to Archer, the graphics of tart cards – you know, the colourful ones in London phone boxes – ‘have influenced mainstream printed communication’. We thought they were just graphic. But nothing grabbed our attention so much as the photographer’s credit. Copyright: Rob Clayton. Cue misty-eyed voiceover, ‘Dad, is that you?’
Fake news, doctoring photographs, and the themes of perception and reality are all reflected in the title sequence of a new Channel 4 drama.
The Guardian Media Group’s Sunday paper, The Observer, has launched a biannual, print design magazine, which looks to bridge the gap between consumer and specialist publications.
Online art shop RoomFifty has worked with studio Intoart, commissioning four disabled creatives to design prints that are being sold for £20 each.
Protests against climate change and ecological destruction are currently taking place across the world – we speak to graphic designer, Clive Russell, about how the eco group has used creativity