Manchester consultancy Mark has designed posters, leaflets and advertisements for two productions at the Royal Exchange Theatre. According to Mark creative director Mark Lester, the work takes a metaphorical approach. For Tom Murphy’s A Whistle in the Dark, a ‘sinister’ image and recessive typography hint at the production’s dark themes, he explains, while two cigarette butts suggest the less than salubrious beach in Bridget O’Connor’s The Flags.
As part of our series on design in 2019, Sebastian Conran, founder of his self-named studio, looks at what will happen in product design over the next 12 months.
The rebrand by Blast Design is centred around a logo with ligature-inspired lettering and a graphic device made of joined-up lines, to express the idea of “bringing people together”.
Centaur’s marketing and communications division has been repositioned as XEIM, a name derived from “eXcellence in marketing”, which XEIM helps its customers achieve.
Tech company Envisics has used augmented reality and holograms to create a new way of showing drivers which way to go, with directions displayed on the roads in front of