That very Victorian piece of underwear, the corset, is unlaced in all its glory by textile designer Caroline Broadhead. It’s hardly a piece of liberating lingerie, as the corset triggers images of maidens fainting from tight-lacing. But Broadhead’s design is based on imagery drawn from a corset factory in Banbury (with an undercurrent of buildings wrapped in ghostly material by Christo), and aims to explore the effects of light and shade in textiles, a metaphor for the light and dark sides of the personality. Under Construction: Exploring Process in Contemporary Textiles can been seen at the Crafts Council Gallery from 11 July to 4 August.
Sweden-based studio Snask has created the identity for Axfood’s #Mat2030 campaign, which features a series of fresh food items arranged into different words.
Last week, publisher Oxford University Press Education was given a new look by Baxter and Bailey. Now, designers share some of their favourite examples of educational design.
F1’s logo, designed by Wieden + Kennedy last year, could face a copyright dispute because of its similarity to that of a compression tights brand owned by manufacturing giant 3M.
The games company’s Labo kit features flat-pack cardboard sheets that can be transformed into pianos, motorbikes and fishing rods when combined with the Nintendo Switch console.