Boy, can the art world shake things up. Trafalgar Square’s fourth plinth needs no introduction to Londoners, who fume at the impertinence of arty intellectuals, such as mayor Ken Livingstone, who wants to stir up the city landscape with weird installations. Soon to have a fourth incarnation as ‘Alison Lapper Pregnant’ by rock artist Marc Quinn, the plinth is becoming a dynamic Postmodern work in its own right. With the help of Arup Associates, it changes shape every 12 months. An overseas visitor was overheard admiring the freshness and openness of a recent plinth work. Ironically, the plinth was between sculptures.
Sweden-based studio Snask has created the identity for Axfood’s #Mat2030 campaign, which features a series of fresh food items arranged into different words.
Last week, publisher Oxford University Press Education was given a new look by Baxter and Bailey. Now, designers share some of their favourite examples of educational design.
F1’s logo, designed by Wieden + Kennedy last year, could face a copyright dispute because of its similarity to that of a compression tights brand owned by manufacturing giant 3M.
The games company’s Labo kit features flat-pack cardboard sheets that can be transformed into pianos, motorbikes and fishing rods when combined with the Nintendo Switch console.