London Planetarium’s gateway to the galaxies show reopened last week with an interactive virtual reality exhibition. The building’s new interior was designed by Fletcher Priest Architects to a deadline of 20 weeks ‘so that closure of the Planetarium was as short as possible’, says a consultancy spokesman. The show, which cost 4.5m, is on three different levels and includes ‘a new sloping floor which copes with the motion of apparent flight through space’, comments consultancy partner Keith Priest.
Production company Noah Media Group is behind the opening titles, animations and on-screen graphics for this year’s World Cup – we speak to art director Kim Teddy about how traditional
London-based consultancy LoveGunn has created a series of type-based posters inspired by 20th century Russian Futurism and Constructivism for this year’s World Cup.
The WC2018 predictor lives as a website and Instagram feed, displaying a number up to 100 for each country that indicates how well it’s likely to perform in the tournament.
Glasgow-based studio Tangent has created the campaign imagery for this year’s Edinburgh International Book Festival.